Japanese Reviews Reviews

Film Review: The Snow White Murder Case (2014 by Yoshihiro Nishimura

"The Snow White Murder Case" is a highly entertaining movie that will cause its audience to contemplate, as they enjoy the splendid script and direction.

The movie is based on the fourth novel by that becomes adapted into a movie, after ““, “” and ““, making it obvious that the practice is a definite recipe for success.

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The story begins with the discovery of a stabbed and burned corpse in the woods, which is subsequently identified as the beautiful Noriko Miki, an employee at a company manufacturing cosmetic products. Yuji Akahosi, who works at a TV station and has a blog writing critiques regarding restaurants, receives a phone call from a friend of his, Risako Karino, who was a co-worker of the victim. She discloses information concerning Noriko and another co-worker, Miki Jono, who, according to her, is the prime suspect. She asks Yuji not to leak this data; however he, being a twitter fanatic, has already spread the rumors. Yuji, who perceives the case as a scoop that could lift his career, proceeds in investigating the case, by taking interviews, with their permission or without, by employees at the company, who paint a rather bleak portrait regarding the suspect. The interviews are presented in a broadcast of his channel, in a way that incriminates Jono and brings fame to Yuji, who subsequently proceeds to interview individuals in her hometown, including former classmates and her parents. Eventually in the movie, Jono makes her own that sheds a different light to the facts.

splendidly directs this superb script, focusing not solely on the case in hand but also on a plethora of social subjects. The film is split in two halves; the first presents the alleged facts from the point of view of the interviewees and the second the actual story, in a straightforward way. I quite enjoyed the presentation technique through interviews that appears similar to a documentary; however, the almost constant tweets appearing in the screen are tiring and confusing, especially considering that their translation also shows on screen, hiding the action and meddling with the other subtitles. Evidently though, this is a problem for the western audience.

The second half discloses the actual story through Jono’s narration, without the aforementioned techniques, thus appearing as a regular story.

The social remarks entail a large variety of subjects.

  1. The concept of beauty, in contrast to plainness that affects both the social life and the careers of individuals.
  2. The distorted manner mass media communicate the news.
  3. The decline of television, which is void of values and cares exclusively for profit, in a tragicomic way.
  4. The hypocrisy, naivety and lapse of ethics of the majority.
  5. The way internet can affect and, in times, shape public opinion, no matter how few the actual evident are.
  6. Bullying, both in school and in professional life.
https://www.youtube.com/watch?v=ysX0pG1SjPw&ab_channel=INFLUXMagazine

To summarize, the film makes quite a sharp comment regarding the contemporary reality in Japan; however, in conclusion, it sets the matter straight, up to a point at least, cherishing the concept of friendship and the genuinely Japanese ability to ask for forgiveness in the utmost humble way possible.

The only disadvantages of the script and the direction are that the case becomes a trifle exaggerated, particularly in the scene with the musician’s accident and that its duration is quite long, considering that a number of scenes are arduous and overtly lengthy. Nevertheless, these are minor flaws and they do not ruin the overall competence of the film.

The acting of the cast is adequate, in a film however, that chiefly focuses on the script and the social remarks, rather than the characters. Nevertheless, excels as Miki Jono, presenting accurately a variety of feelings and behaviors. I also enjoyed the trip of , who plays Yuji, from mediocrity to fame and finally to the nadir of both his professional and internet social life.

” is a highly entertaining movie that will cause its audience to contemplate, as they enjoy the splendid script and direction.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

  • started watching this earlier in the year. but just couldnt get into it :-( i did hear it was meant to be good though

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