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The South-East Asian Individuals that won an Oscar

After the films from the area that won an Oscar, it is time to present the individual awards. As you will see, the winners are many since they have begun netting the golden statue since 1954.

from Cambodia won in 1984 the Oscar for Actor in a Supporting Role, for “The Killing Fields”


 from Japan won in 1957 the Oscar for Actress in a Supporting Role, for “Sayonara”.


 from Taiwan won twice the Oscar for Best Director, in 2005 for “Brokeback Mountain” and in 2012 for Life of Pi. He was the first Asian to win in this particular category.


 from Hong Kong won in 2000 the Oscar for Best Cinematography, for “Crouching Tiger, Hidden Dragon”.

 from Hong Kong won in 2000 the Oscar for Best Art Direction, for “Crouching Tiger, Hidden Dragon”.

Sanjo Wada from Japan won in 1954 the Oscar for Best Costume Design, for “Gate of Hell”.


Emi Wada from Japan won in 1985 the Oscar for Best Costume Design, for “Ran”.


 from Japan won in 1992 the Oscar for Best Costume Design, for “Bram Stoker's Dracula”.


from Japan and from China shared in 1987 the Oscar for Best Music, Original Score,  fro “The Last Emperor”.


from China won in 2000 the Oscar for Best Music, Original Score, for for “Crouching Tiger, Hidden Dragon”.


from Taiwan won in 1992 the Oscar for Best Visual Effects, for “Death Becomes Her”

 from Japan won in 1998 the Oscar for Best Documentary Short Subject, for”The Personals: Improvisations on Romance in the Golden Years”


Ruby Young from Hong Kong won in 2006 the Oscar for Best Documentary Short Subject, for “The Blood of Yingzhou District”

 from Japan won in 2008 the Oscar for Best Short Film, Animated, for “The House of Small Cubes”.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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