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58th Blue Ribbon Awards : Here Are The Winners

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The are film-specific prizes awarded solely by movie critics and writers in Tokyo, Japan.

The awards were established in 1950 by The Association of Tokyo Film Journalists  which is composed of film correspondents from seven Tokyo-based sports newspapers. In 1961, the six major Japanese newspapers (Yomiuri Shinbun, Asahi Shinbun, Mainichi Shinbun, Sankei Shimbun, Tokyo Shimbun andNihon Keizai Shinbun) as well as the Japanese Associated Press withdrew their support for the Blue Ribbon Awards and established the Association of Japanese Film Journalists Awards, (which were held a mere six times). In 1967, the awards were cancelled as a result of the Black Mist Scandal, a baseball bribing case. In 1975, the awards were revived, and have continued until the present day. The annual award ceremony is held in a variety of places in Tokyo every February.

Although the award is not acclaimed highly on an international level, due to their long history and the rigorous screening process, the Blue Ribbon Awards have become one of the most prestigious national cinema awards in Japan. Along with the Kinema Junpo Awards  and the Mainichi Film Concours. Winning one of these awards is considered to be a great honour.

Source:wikipedia

Thiw year's ceremony took place in the Lino Hall on the 9th of February and was presented by Tadanobu Asano and Sakura Ando. The awards were:

Best Picture:  ()
Best Director:  ()
Best Actor:  ()
Best Actress:  (, )
Best Supporting Actor:  (The Emperor in August, )
Best Supporting Actress: Yo Yoshida (Flying Colors, , )
Newcomer of the year:  (Solomon's Perjury, )
Best Foreign Language Film: Mad Max: Fury Road (George Miller)

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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