Korean Reviews Reviews

Film Review: Salut d’Amour (2014) by Kang Je-gyu

Sung-chil is an extremely grumpy old man who lives alone and works at a supermarket. His boss, Jang-soo, who is also the director of a project regarding the district’s redevelopment, is constantly trying to persuade him to sign a deal that will let the contractor demolish the old houses in order to rebuild. Sung-chil however continuously denies. Eventually, he meets his new neighbor and owner of a florists, Geum-nim, and a romantic relationship initiates, with the whole of the neighborhood watching, encouraging and occasionally offer advice to inexperienced Sung-chil. Something however, seems amiss.

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directs a film that initially seems as a romantic flick between two elderly, but as the story progresses, it is revealed as a heart-breaking melodrama. In that fashion, the permeating humor of the first half soon gives its place to a number of heartbreaking moments, retaining nevertheless, its artfulness, despite the change in genres.

Two scenes particularly stand out due to their hilarious nature: the fight between Jang-soo’s sultry girlfriend and a bunch of girl-bullies, which includes some preposterous kung-fu moves, and the fight between Sung-chil and a bus driver that ends up in a belly-pushing contest.

Both of the elderly protagonists, as Sung-chil and as Geum-nim, are great in their respective roles, both in the comedic and the dramatic moments, proving once more that talent and ability do not fade so easily with age. I especially enjoyed Yoon Yuh-jung’s distinct voice, that gives her performance an added level.

Technically the film is stunning, with great cinematography filled with impressive colors and a highly realistic depiction of the old neighborhood the film takes place for the most part.

Lastly, I could not neglect mentioning that all the women cast in the peripheral roles are gorgeous, a fact that makes the film even more appealing, at least for the male audience.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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