Features Japanese Exploitation of the 60s and 70s Japanese Reviews Reviews

Film Review: Danger Pays (1962) by Ko Nakahira

Parodying noir films

The second film in Arrow’s takes a more definite turn towards the comical, being a parody of the crime noir film.

Buy This Title
by clicking on the image below

In the film’s intro, it is stated that “danger is where the money is,” and that is actually the main theme of the film, which deals with a case of counterfeiting, revolving around an expert forger and the efforts of a crime syndicate headed by Hijikata and various individuals, to have him working for them. The parody element of the film kicks right in, as these individuals have names like “Glass Headed” Joe (the protagonist), “Slide Rule” Tetsu, and “Dump-Truck” Ken, while the expert forger is comfortably named “The Expert.” The three aforementioned eventually team up, and along with Tomoko, an ex-secretary, skilled in Judo and Aikido, go against Hjikata and his henchmen.

incorporates various hilarious characters and notions, as is Expert’s wife, a senile, extremely loud old woman who is proficient with guns, the fact that the Expert wants to work in a cabaret, ending up in one called Acapulco, and the preposterous vehicle Joe drives, a two-wheeled, vivid red “car” that can fit only two people. Add to that the fact that Joe got his name because he runs away screaming every time he listens to scratching glass (with his adversaries frequently taking advantage of this tendency) and that Tomoko has also a degree in French literature and gets into fights a lot, and you have a true parody

However, the beginning and the ending of the film have a completely other tone, since they are quite violent and bloody. Particularly the finale is the film’s most impressive scene as the two opposing sides shoot at each other inside an elevator shaft, while a vivid red light bathes the whole scene in color. This part is where the technical aspect of the film proves its prowess, with wonderful cinematography by Shinsaku Himeda, great sound by Nobumasa Fukushima and distinct editing by Shohei Ando. In that aspect, the movie benefits the most from the digital transfer of the original, 1962 Nikkatsu title in Blu-Ray format.

Joe Shishido is the definite protagonist of the movie as Glass Headed” Joe, exhibiting equal measures of fun and coolness, while has a more active role this time (than in “Tokyo Mighty Guy”), being hilarious as a martial arts expert. However, the ones that steal the show are the elderly couple played by and , who raise laughs each time they appear on screen.

Overall, the film’s shows its age only in the script, which is nonsensical at times, but other than that is a very entertaining spectacle.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

Subscribe to Our Newsletter

>