Korean Reviews Reviews

Koh Heeyoung’s “Breathing Underwater” is a heart-breaking documentary

The theme of Asian women diving without tanks to collect sea goods has recently surfaced in cinema, with “Ama-san” for Japanese women and this particular one for S. Koreans.

A thorough research

” is very thorough in examining and depicting the Haenyeo , the women-divers of Jeju, since , the director is a native and spent 7 years collecting footage for the .

The procedure and the strict hierarchy are explained quite analytically. These women are actually born into the profession, with the overwhelming majority following their mother’s example. Furthermore, they do not quit their practice until they are very old, with most of them being over 55 and some even surpassing 80.

The women dive without tanks, just with goggles, weight belts, and hoes. They also use a technique when they surface, by whistling in a particular way that lets them expand their lungs’ capacity. Depending on the season, they “hunt” for different species. In the summer for example, they go after fish, and there is a season when they are allowed to harvest agar agar, their most fruitful earning of the year. When this time comes, even the oldest and the youngest participate.

A strict hierarchy

There are three categories in the profession, depending on the depth allowed to dive, which are strictly followed. Group C or Team Dreags is the lowest and work in foreshore shallower than 3-meter depth. Group B reach 5-9 meters and catch conch, octopus, etc. Group A goes to 15-20 meters and deals with abalone, sea hare. These women make 600-700 plunges a day for as long as 3 minutes, and are based 700 meters from the shore and usually dive for 8 hours straight without drinking water. This hierarchy however, is dictated by life itself, since lung capacity is a natural ability.

The human connection

Furthermore, the documentary examines the reasons these women continue this harsh life, and the way their families feel as they watch them dive in their 70’s and 80’s. The answer and the, sometimes lethal, outcome comes as a shock, in a line of work that is an addiction as much as a profession. The title of the documentary refers to this aspect.

An impressive spectacle

The practice is impressive by itself and this sense is heightened even more by the splendid cinematography, the fitting music, and the wonderful narration of Koh Heeyoung.

“Breathing Underwater” is beautiful and very informative documentary, and is quite easy to watch, since it lasts just for 82 minutes.

  1. The film supports the movement for the recognition by UNESCO of the cultural practices of Jeju Haenyeo, since their way of life is rapidly disappearing, and the area is transforming into a resort.

2. Why did that dog had pink ears?

“Breathing Underwater” screened during the London Korean Film Festival 

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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