Japanese Reviews Reviews Toronto Japanese Film Festival

Film Review: Chihayafuru 3 (2018) by Norihiro Koizumi

The wonderful trilogy based on the homonymous manga series by Yuki Suetsugu reaches its ending and its climax in the third part, in a one of the best adaptations of the recent years.

Chihayafuru 3 is screening at the Toronto Japanese Film Festival

The story of this part takes place 2 years after the second one, when Chihaya is now a high school senior. Her problems, however, seem to be more and more significant, as they surpass the borders of Karuta. The search for new members is more imminent than ever, since a number of the former ones are in their last year in high school. Even more, the new arrivals seem to care more for her and Taichi's looks than the actual game. Both Chihaya and Taichi also have to think about the future outside of the game, while Taichi's parents pressure him to quit Karuta in order to dedicate himself to the Tokyo University entrance exams. In a moment of spur, Arata confesses his love for Chihaya, in a concept that eventually leads Taichi to abandon the group, and Chihaya with a decision to make. Lastly, the emergence of Hisashi, the most successful player in the history of the game, takes on toll on both Hideo and Taichi.

Of course, and as in the previous two parts, Karuta remains in the center of attention, with the presentation of the game being impressive and quite agonizing, as it benefits the most by both 's direction and Hiroo Yanagida's cinematography. In order to do so, Koizumi has implemented much slow motion, which, along with the Masaru Yokoyama's music works quite well, although, at times, I felt he may have used it a bit too much.

However, and despite the epicenter, the social comments are more intense and more frequent this time, as the characters grow up and have to face love , along with their academic and, in essence, their professional future. Add to all that comedy, quirkiness, and the presence of Hisashi, who adds a much more mysterious and eventually philosophical element in the film, and you have the backbone of a great movie.

The acting follows the rules of both manga adaptations (with the occasional excessiveness) and the coming-of-age (reluctance to express feelings and an uncertainty about the future) productions. Always adorable as Chihaya embodies this combination in wonderful fashion, while as Taichi and as Hisashi are the “representatives” of the seriousness in the film. as Shinobu, Chihaya's archrival, is also great in a role, which, this time, lingers towards the comic.

3” is a great conclusion to a more than worthy of the original adaptation, and a very entertaining film.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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