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Film Review: Eaten by Lions (2018) by Jason Wingard

People trying to find their real parents is a theme that has been done a fair bit in cinema for a long time now. The latest voice to tell the story is that of 's, who attempts to put a fresh spin to the tale and, for the most part, succeeds.

Eaten By Lions” runs as part of the 9th edition of the Bagri Foundation London Indian Film Festival, that runs at 15 cinemas, across London, Birmingham and Manchester, from 21st June to 1st July, with 27 films, including features and short films, in competition. It is the largest South Asian film festival in Europe. Buy your tickets via this website, at respective cinema box offices: http://londonindianfilmfestival.co.uk/

Omar and Pete are two brothers who've been raised lovingly by their grandmother after the death of their mother and Pete's father in a freak accident. After the death of their Gran, they are taken in by the family of Pete's aunty, who clearly doesn't like Omar very much. Upon finding a letter from Gran which talks about his biological father, Omar decides to find him. The urn with Gran's ashes tucked safely under arm, Omar and Pete set from Bradford to Blackpool with an aim to scatter the ashes at sea and find Omar's father, armed with his birth certificate and an old photo of their mother with the man who is allegedly his father.

” is based on director Jason Wingard's 2014 short film “Going to Mecca”. The 19-minute story from the short has been fattened to an hour and thirty-one minutes, but it doesn't feel needlessly extended. In fact, it is to the credit of the screenplay by Jason Wingard and David Isaac that it leaves you wanting more. A fair few scenes have been brought over verbatim from the short, but several new characters are introduced to the story that are welcome additions. Humor is a strong point of the film, as evident by the casting of well-known comedic actors, and it often strikes the right chord. Themes of loneliness and a need to belong are nicely touched upon. There are, however, some scenes that do not sit well with the overall mood of the film. A scene that attempts to cause distress in the brothers' relationship feels underdeveloped and sticks out like a sore thumb. The attempt to set up a romantic angle for Omar also feels feeble and unnecessary.

Omar and Pete really carry the story forward and the film required the right actors to play the part. Fortunately, both as Omar and comedian (of “Britain's Got Talent” fame) as Pete are competent, if a little inexperienced. While Jack Carroll has played the character before in “Going to Mecca”, Antonio Aakeel is a more suitable replacement for Aqib Khan, who played Omar in the short. They are supported by a very colourful bunch of supporting characters played brilliantly by veteran actors. Nitin Ganatra as Malik Chaudhry, who's allegedly Omar's father, as Irfan, Malik's younger brother, Tom Binns as a Fortune-teller on Blackpool Pier and Johnny Vegas as Ray, a hotel owner who takes the boys in when they arrive in Blackpool are a delight to watch. Asim Chaudhry, in particular, gets the most to do with his character and is impressive. While Darshan Jariwala tries to make the most with what he's got, the actor feels a little wasted.

Matt North's cinematography does justice to the bright, sunny beaches of Blackpool and its nightlife. Certain wide shots are breath-taking, even for someone who'd be fairly acquainted with Blackpool and its surroundings. One particular scene inside Sea World, set against the backdrop of a huge shark tank with the characters in silhouette in the foreground is wonderful. Music is sparsely used but composer Dan Baboulene manages to set the right mood with it.

While it would have been nice to see the arcs of some of the other characters in the Malik family explored a bit more, “Eaten by Lions” works fairly well providing several funny situations and genuine laugh-out-loud moments.

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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