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Interview with Hsieh Chun-Yi: Rom-coms are very serious for me. To make the audience laugh and also create a touching story is not a easy job.

Hsieh Chun-Yi talks about the film, the 90's, Chang Yu-sheng, Vivian Sung and Jasper Liu, rom-coms and other topics

On the occasion of his film, , screening at  the 8th Annual San Diego Asian Film Festival Spring Showcase, we speak with about the film, the 90’s, Chang Yu-sheng, Vivian Sung and Jasper Liu, rom-coms and other topics

Can you tell us about the path that led you to filmmaking? Did you have any studies in the field?

I studied in New York University Tisch School of Arts Asia, the campus is in Singapore. I graduated in 2012.

“Take Me to the Moon” combines the teen rom-com with time travelling. How did this approach came about? 

The script writer is Birdy Fong. He is a huge fan of  Chang Yu-sheng. He wrote this script several years ago and it won the Silver Prize in The 9th “Filming Taipei” Screenplay Competition in 2014.

The main theme of this story is about following your dreams and first love. If you get a second chance to change the past, would you be able to break her heart to save her life?

The films pays tribute to Chang Yu-sheng. Can you tell us a bit about this concept and your reasons for including it in the film? In general, where do you draw inspiration from, for your movies?

He is a legend in Taiwan. Many singers are influenced by his music. His songs are usually very positive and optimistic. We used 5 of his songs in the movie. Each one fits the corresponding scene and is functional for the plot.

The film takes place in the 90’s mostly. Why did you choose this decade for the film to take place?

I am the same age with the protagonist. So I knows 90’s.

How was your cooperation with Vivian Sung and Jasper Liu? 

I think they both are great actors. Vivian is a very talented girl. She had many thoughts about the role. We discussed and came up with  a personality for her. I think she did a wonderful job. It’s not easy because she needed to sing, dance and perform at the same time.
Jasper is a warm boy, this is his first lead role in movie. I think he put much efforts in it, which paid off on the screen.

Can you tell us about the locations the film was shot? How was the shooting of the film? Any memorable episodes, good or bad? 

The locations are mainly in Taipei. However, Taipei changes a lot. So, for the Ximen Ding scene we build a whole set in the studio, we use a lot of visual effects in the film.

We spend 2 months shooting. We faced 6 typhoons. It was a tough shooting but we made it on schedule. Very impressive work by the crew.

Very frequently, critics seems to snub rom-coms. In your opinion though, what is the value of these kind of films? 

I think you have to respect each genre. Rom-coms are very serious for me. To make the audience laugh and also create a touching story is not a easy job.

What is your opinion of Taiwanese cinema at the moment?

Tt is not the worst of time, but close. We have to make better movies and hope audience can give us a chance.

 Are there any new projects you have been working on?

I am working on several movie projects. The recently one “SOMEONE LIKE YOU” 《還魂記》was just selected by BIFAN “It Project” this year.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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