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“Unexpected Journeys:Magical Realism in Chinese Cinema” is coming to London Cinemas – 27th and 30th September

Where realism and wild imagination meet in contemporary Chinese cinema.

is a film programme introducing and celebrating Magical Realism in Chinese cinema and curated by Giada Liu from the National Film and Television School.

The films selected explore and challenge the limits of realistic storytelling, either aesthetically or narratively. They combine realism with imagination, absurdity and fantasy, creating a ‘new vision' of reality that highlights Chinese filmmakers' self-reflection in a drastically changing society.

Unexpected Journeys is composed by four films from Mainland China that created their own version of Magical Realism.

On September 27th at Curzon Goldsmiths in London, there will be the screening of the visually spectacular and dreamlike second feature “Crosscurrent” (2016) by Yang Chao and one of Jiang Wen's witty and nostalgic creations “The Sun Also Rises” (2007).

On September 30th at Rio Cinema in London, we are showing the poetic journey in time “Kaili Blues” (2016), the first feature by one of Cannes favourite emerging Chinese directors Bi Gan and one of Lou Ye's romantic and mysterious breakthrough feature “Suzhou River” (2000) showing in 35mm, followed with a panel discussion.

Book here for Curzon Goldsmiths (27 September) :
4PM – Crosscurrent
6.30PM – The Sun Also Rises

Book here for Rio Cinema (30 September):
1PM – Kaili Blues
3.15PM – Suzhou River (in 35mm) + Panel Discussion

More information:
Facebook: @unexpectedjourneys2018
Instagram: @unexpectedjourneys2018
Twitter: @unexpectedjour2

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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