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Hong Kong International Film Festival to present the “Centenary of Korean Cinema” Programme

The 43rd (), in association with the (), will present the “Centenary of Korean Cinema” programme, which will include screenings of 10 all-time classics and critically acclaimed new films for South Korea. It will also host masterclasses, introductions and post-screening talks as past of the programme.

Special Guest will be in attendance to hold a masterclass after the screening of his restored classic “Peppermint Candy”. Oh Jung-mi, Lee's co-writer on his latest film “Burning” will also be present in the post-screening discussion of “Burning”.

Also included in the Programme will be films by festival darlings and , with Hong's “The Day a Pig Fell into the Well” and “Hotel by the River” both screening. Bong's breakout film “Memories of Murder” will also screen in its newly restored version.

Three legendary directors , and , who are mostly credited with kickstarting contemporary Korean cinema's golden age, will also have their films feature as part of the Programme. Shin's “My Mother and Her Guest” (1961), Kim's “Ieodo” (1977) and Im's “Mandala” (1981) will be screened, with the latter two being in their newly restored versions.

“Innocent Witness” the new film from director and “Our Body”, the debut film from , will demonstrate how the new generation of filmmakers continue to reach new frontier with a bright future for Korean cinema. Han Ka-ram will also be present to greet the audience.

HKIFF starts on March 18th and runs through till 1st April. Tickets can be booked online here.F

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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