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“Perfect. Present.” wins big at the 48th International Film Festival Rotterdam

Chinese film “” by director won the coveted Tiger Award at the Awards Ceremony for the 48th . The documentary, a co-production between United States and Hong Kong, played in competition in the “Bright Future” section of the Festival and was called “a daring film that takes us to places where we have never been” by the Jury of the Festival.

Meanwhile, 's documentary “”, on the White Building in Phnom Pehn, went on to win the NETPAC Award for best Asian film, being called “a brave attempt at revealing the collapse of a society undergoing drastic transformation.”

Perfect. Present

The Western circuit of vloggers and YouTubers is dwarfed by live-streaming in China, which in a short time has become an industry worth billions. More than 422 million Chinese regularly shared streamed films in 2017. Strange and extreme are especially popular: a boy who eats live worms or two wrestlers dipped in wet paint. Viewers comment in the form of ‘bullets' and reward the ‘anchors' with virtual gifts that can be cashed in the real world. Zhu Shengze followed a dozen anchors for ten months. From more than 800 hours of footage, she distilled a collective portrait of a generation for whom the online and offline worlds are tightly interwoven. 

Last Night I Saw You Smiling

Filmmaker Kavich Neang's father is one of the hundreds of residents who must leave the iconic White Building in Phnom Penh. This apartment block saw the rise and fall of the Khmer Rouge and then housed a lively artistic community. Now the once radiant walls are grey and damaged. Demolition looms. Neang, who was born here, once dreamed of shooting a fiction film here, but reality overtook his plan. It's now the location for his first full-length documentary. In calm, fixed shots, he registers the activities, worries and emotional moments of his parents and other residents who have to leave.



About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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