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Short film review: The Spirit (2018) by Piet Patrick

Channeling the well established sub-genre of “found footage”, young director give us a taste of horror with “”, a story of possession and attempted exorcism.

Noel, Indri and Irfan have just finished shooting on location and are loading the car with the props and equipment to return. Noel is filming all this, for a sort of “behind the scene” content he will upload on his channel. Once in the car and on the way back, Indri falls in a deep and unnatural sleep while her friends chat away about a mysterious picture belonging to the location's previous owner, that they had been asked not to move. But something strange is going on with Indri…

The film is atmospheric and displays a great possession performance, however it feels more like a teaser for something to come than a stand-alone work. It is an excellent style exercise and it could develop into a more satisfying piece if fleshed out with a story. The plot of the mysterious picture is left in the air and isn't strong enough (or mysterious enough) to create a narrative.

Hard to talk about cinematography in a “found footage” film as the quality is purposely kept in hand-held, home-video, casual form, here with some additional glitches to jazz it up. Wisely, the script wants the camera – for part of the film – set on the dashboard and therefore steady, which helps not to get too dizzy and focuses perfectly on the demoniac awaken. The whole short film is well executed and is a good example of the potential of the crew behind it and of a possible development.

As a bonus, don't miss the post-credits scene revealing an early “Easter Egg”.

https://drive.google.com/file/d/1aWUU10q1ZRuxHIzfJHpv3DQn9NDom3F-/view?usp=drivesdk

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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