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Four Korean Films at Cannes 2019

This year, the Film Festival is set to welcome four films from Korea, from the most anticipated new film from a Korean director this year, down to a promising student short.  is back in competition with his latest film “”, the ‘Midnight Screenings' welcome a new Korean genre film in “The Gangster, The Cop, The Devil”, student short “” (Alien) is invited to Cinéfondation and  returns to Directors' Fortnight with her short animation “”.

Two years after getting his first invitation to the Cannes competition section with his Netlfix-backed “Okja”, director Bong is back on the Croisette with “Parasite”, his first fully Korean-language project since “Mother”, which screened in the Un Certain Regard section at Cannes in 2009. Bong's new work features Song Kang-ho as the head of a struggling family that finds itself entangled with a rich family following an unexpected incident. The film also stars Lee Sun-kyun, Jo Yeo-jeong, Choi Woo-shik, Park So-dam and Jang Hye-jin.

in “The Gangster, The Cop, The Devil”

's sophomore film “The Gangster, The Cop, The Devil” will join the Midnight Screenings lineup. The film stars Ma Dong-seok, previously seen in the midnight slot in “Train To Busan” (2016), as a gangster who teams up with a cop (Gim Mu-yeol) to take down a killer (Kim Sung-kyu).

Korean National university of Arts (K'Arts) student  makes his Cannes debut with his immigration-themed “Reonghee” (Alien) which will compete in the Cinéfondation section. Animation director Jeong Da-hee is back in Directors' Fortnight with her short “Movements”, five years after “Man on the Chair” screened in the same section.

Still from “Movements” by Jeong Da-hee

This year's Cannes Film Festival will run from May 14 to 25.

Source: Korean Film Council

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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