A serial killer stalks the city streets, crashing his car into lone motorists before stabbing them to death. One night, he unwittingly targets a notorious crime boss, who fights back but is left for dead. The mobster thinks it was a rival who tried to kill him – the cop in charge of the case is sure it was the serial killer. The two end up forming an unlikely, but formidable alliance, to hunt him down. The cop wants to arrest the murderer. The mobster has other ideas.

Following on from the brilliant “Train to Busan” and “The Wailing”, South Korea delivers yet another not-to-be-missed, sensational slice of cinema, that’s already been picked up for a Hollywood remake.

This staggeringly assured second feature from Lee Won-tae, THE GANGSTER, THE COP, THE DEVIL is a multi-layered thrill ride that never fails to entertain. A formidable mix of Lethal Weapon-style buddy movie, serial killer chiller and an all-out action spectacular. Beautifully filmed, and featuring a pulsing score by Jo Yeong-wook (“The Handmaiden”), it’s packed with superbly choreographed action sequences (and some wince-inducing moments of ultra-violence that make “Old Boy”’s hammer attack look like a warm up).

Kim Moo-yeol is spectacular as an incorruptible, overworked detective on the trail of a serial killer. But it is Ma Dong-seo (so good in “Train to Busan”) – introduced here working out on a human body bag – who steals the show here as a fearsome, sharp suited gangster who crosses paths with the killer, and teams up with the cop to hunt him down. He’s so good Sylvester Stallone, who is producing the remake, has already tapped him to reprise his role.

THE GANGSTER, THE COP, THE DEVIL is available on digital in the UK and Ireland on 15th November.

The film will also be playing at the Mayhem Festival in Nottingham, Horrorthon, the London East Asian Film Festival, and the Leeds International Film Festival.

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.