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The 11 Best #SubmitYourFilm Movies of 2019

The success of our Submit Your Film Initiative was even more significant than we expected, since we received almost 100 applications from filmmakers all over the Asian world, in order to review their films for Asian Movie Pulse. Furthermore, and particularly regarding short films, we have started a cooperation with Vienna Shorts Festival, that will allow the films that we suggest to them to be submitted with a 70% price off (final submission fee would be just 3-5 euros depending on the film) and a chance to screen in Vienna during the festival.

In that regard, we would like to thank all the filmmakers who submitted their work and we hope that they continue to do so for many years to come.

At the same time, we also felt the need to celebrate this initiative by listing the movies we considered the best. Without further ado, here are the best #SubmitYourFilm Movies of the first year of our initiative, in random order. (By clicking on the title, you can read the full review of the film)

1. Nirvana Inn (Vijay Jayapal, 2019, India)

Nirvana Inn still

The second feature length film from director , is not only a highlight of our Submit Your Film Initiative, but one of my favorite horror movies of the year. The production is a perfectly constructed ‘slow burn’ horror film, which creates a constant sense of uneasiness through uncomfortable interactions. Complimenting the macabre script, is an engaging score, stunning visuals, and a strong performance from Adil Hussain, making “” a stand out in the horror genre. (Adam Symchuk)

2. Basurero (Eileen Cabling, 2019, Phillipines)

” is a short film that is bound to leave a strong impact on any viewer and push towards deeper conversation. The way in which director Eileen Cabiling weaves the story of human atrocities while focusing on the plights of one individual elicits a strong emotional connection to the narrative. Although the production could have thrived on its message alone, it boasts an eye for visual storytelling and a strong performance from Jericho Rosales. Simply put, “Basurero” is a must watch in the realm of short films. (Adam Symchuk)

3. Belas (Adam Taufiq Suharto, 2019, Malaysia)

Belas Still

, has shown a knack within his short films for innovative concepts explored through strong visual storytelling, making it difficult to pick one production. However, the serene atmosphere, backed with a well constructed fable celebrating female divinity and strength, left the strongest impact. (Adam Symchuk)

4. Chuhedani (Ravi Shankar Kaushik, 2019, India)

Chuhedani still

” is a little gem; the tale of Meena, a disgraced but smart country girl who, from her invisible status, plans her way out. The clever narrative structure and its deliciously evil twist – almost “a la Agatha Christie” – make it immensely regarding and empowering. Moreover the visual is sophisticated and mature. Images are carefully composed and filmed from a series of interesting angles, often framed within a frame giving us the intriguing feeling we are spying on Meena. A very well constructed piece of work with great attention to details and very mature stylistic choices. (Adriana Rosati)

5. Ghost of the Golden Groves (Aniket Dutta & Roshni Sen, 2019, India)

Ghost of the Golden Groves still

Folk horror and surrealism mix to create a wholly original nightmare. and Roshni’s Sen’s feature length debut intertwines two stories of occultism within a small remote village. The productions chaotic approach creates some unforeseen narrative shifts, that demand attention when paired with an eclectic soundtrack and mesmerizing visuals. (Adam Symchuk)

6. B.B. Batuh Bijanji A.K.A. The Promised Stones (Wan Dinnie & Reudan, 2019, Malaysia)

The Promised Stones still

Having spent time with ‘s films, I have grown an appreciation of his craft and unique vision. “” takes the directors work with ‘rotoscope’ and injects experimentation through visual effects layered over top the animation, vocal distortion, and looping narrative. Overall, it is Dinnie’s most polished and fully realized short film. (Adam Symchuk)

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About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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