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The winners of the Osaka Asian Film Festival 2020

On March 6, at the opening ceremony, Kamikura Tsuneyuki, Chairperson, Osaka Executive Committee for the Promotion of Moving Image Culture, gave an opening speech:

“Aiming to be Asian film’s gateway to the world, OAFF has now reached its 15th edition. Films are made to convey to contemporary society what people are thinking now, and we have strived to introduce these films to as wide an audience as possible. OAFF, however, has not been able to realize a number of our planned projects this year. To fight against an invisible enemy, and to minimize the possibility of tragedy, we decided to cancel all filmmaker-in-person events so as to reduce the chance of possible coronavirus infection. Upon asking filmmakers’ understanding, we have decided to focus on our fundamental purpose: screening films which show the many other things which are happening around us.”

On March 15 the winners of this year’s edition were announced. And the winners are:

Grand Prix (Best Picture Award)
“Happy Old Year”, Thailand | Director: Nawapol Thamrongrattanarit

Most Promising Talent Award
Park Sun-joo, Korea|“Way Back Home” Director

Best Actor
Mase Hidemasa, Japan|“Kontora” Leading Actor

ABC TV Award
Write about Love”, Philippines|Director: Crisanto Aquino

Still from “Kontora”

Yakushi Pearl Award
Leon Dai, Taiwan|“Your Name Engraved Herein” Supporting Actor

JAPAN CUTS Award
The Murders of Oiso”, Japan, Hong Kong, Korea|Director: MisawaTakuya

Housen Short Film Award
“Hammock”, Japan|Director: Kishi Kentaro

Audience Award
“Better Days”, China, Hong Kong | Director: Derek Tsang

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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