Japanese Reviews Projects Reviews The Takashi Miike Project (105/116 complete)

Film Review: Oretachi Wa Tenshi Ja Nai 2 (1993) by Takashi Miike

Shot back to back with the first film, “Oretachi Wa Tesnhi Ja Nai 2” continues with the adventures of the four members of Angels Gift Delivery, this time focusing on Chu, who was somewhat neglected in the first part.

Chu helps Mio, a lady who has locked herself outside of her car, in a series of events that end up with the group helping her to clear her father’s house, who was recently murdered, although the culprit is not yet caught. A series of unlikely coincidences end up with the group investigating the mental hospital the man used to work at, and a shady killer dressed in black in their heels.

The combination of nudity, action and comedy is still here, but is not implemented in the same entertaining fashion as in the first part, with the sequel’s only really interesting aspect being the presence of the noir-style killer, played with gusto by and depicted quite fittingly by DP Yasuhiko Mitsui. The fact that Kenta and Jo are somewhat pushed to the background in favor of Chu faults the overall narrative, since the particular character lacks the level of appeal the two other have, with he same applying to ‘s charisma in comparison with and Rikiya Yasuoka. Add to that the lack of a secondary concept like the cult of the previous episode and you have the reasons why the sequel is definitely on a lower level than the first one.

A couple of slapstick and crude jokes, like the one with the elderly man urinating on Jo,  the unfolding of a rather wide roll of paper, and the whole appearance of the Angels with the ridiculous hats, may bring a bit of grinning on the viewer, but that’s about it, even regarding the humor in the movie.

Not much more to say, “” is one of the most forgettable entries in Miike’s vast filmography and an effort only addressed to hard-core fans.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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