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Film Review: Identity (2020) by Amit Chauhan

Amit Chuhan's “” approaches the subject of anonymity online, and the perils that come for people buying into the persona they see on screen. When a young woman finds a dark and charismatic figure online, she soon begins a relationship with him despite his reservations. However, when the true identity of the figure is revealed for trying to catfish the young woman, his life begins to spiral downwards as he desperately seeks redemption for his actions.

The production boasts a strong script, when it comes to individual interactions, capturing its subjects' troubles with a believable sincerity. Notably, the sense of desperation from the main character as he strugglesto make sense of his actions and subsequent persecutions for his actions of catfishing. However, the overarching story does suffer from some narrative inconsistency, particularly in defining its moral stance on the subjects it discusses. Overall, the audience will be left with confusion as to who was wronged, and whose actions are actually deplorable, since it is arguable that everyone carried out some despicable acts. Furthermore, the film ends on a rather sour note while attempting a twist ending that does not have enough established background to offer the intended shock. Thankfully, the one on one interactions are deeply engaging and still leave a strong impression in the face of a few glaring errors.

The cinematography is approached in two different styles, more traditional cinematic and cinema verite, and does an admirable job of blending the two. This is in large part due to the editing process that ensures these transitions are not jarring or placed unnecessarily. Comparatively, the few special effects that are utilized are anything but tactful. This is largely in part to limitations, since, on a conceptual level, they offer some intrigue, but look slightly ridiculous in execution. Given that the core concept is well executed, these scenes could be approached in subsequent productions that have less budgetary restrictions. As it exists, it is unfortunate to have effects fall more into the realm of comedy, because the technical know how is not on the same level as the rest of the production.

The performances, particularly that of the main male protagonist, work well with the material and script. At times, it can feel a bit over acted, but ultimately it leaves a favorable impression and the amount of dedication put into each role is apparent. Overall, it is a commendable effort of lesser established actors to convey a wide range of emotions.

“Identity” is a film that is undeniably rough around the edges, littered with mistakes which can be chalked up to lack of experience. However, at the core of the production is a good sense of capturing human interactions and complimentary cinematography. Overall, the production shows as a capable filmmaker who will hopefully be able to refine his visions in the future for a more technical and narratively sound project.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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