Focusing on the disparity between the impoverished and the working class, “Carnival” follows three kids who make their way to a Carnival. While there, they have to beg and steal just to try to capture the same kind of joy others are taking for granted. Considered pests, they are soon chased and one friend gets lost within the crowd.
“Carnival” boasts a strong visual presentation that really immerses the viewer into the world of the children. This is particularly noticeable in the scenes taking place in the carnival, which stays level with the kid's view, giving the impression of experiencing the sights and sounds from their perspectives. The cuts are seamless, and different camera techniques pair well together to create a complimentary presentation. Overall, it offers an intimate look into the subjects' lives and becomes an immersive experience.
Outside of the exemplary cinematography, the narrative itself does not hold much weight. The production, while capturing the moment with grace, fails to really make an overarching statement about its subjects. The kids' social status does not feel abhorred or romanticized, rather they exist just in a moment as a sample of the plight and struggle faced by its subjects. This kind of narrative approach can prove successful when characters are placed in engaging circumstances, which the film does not really deliver on. Overall, it feels like it is more up to the viewer to draw empathy or understanding from their own experiences, which can prove difficult when dealing with a marginalized group that won't be relatable to all.
“Carnival” is a confidently edited and shot film that holds a lot of visual charm. However, outside of the technical presentation, the story lacks depth, giving the impression of a single scene in a larger production. The subject of impoverished youth, although well captured in the moment, does not really lead to any further commentary or discussion on the matter, which further adds to the feeling of lack of substance. To enjoy the film, the audience certainly needs to become immersed in the moment and the scene, while this may have an impact on some, I will admit feeling disengaged from the subject matter. Regardless, there is still appreciation to be found in Joshi's cinematography and the film may connect on a deeper level with the proper audience.
