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Trailer: Bori by Kim Jinyu

Cinema is often said to give a voice to the voiceless, sometimes quite literally. , in his debut film “” tells the story of a girl who happens to be the only girl that can hear in a family.

Synopsis

Bo-ri, an 11-year-old girl in a seaside village, is the only family member who can hear. As an elementary school student, Bo-ri becomes more and more accustomed to talking with her friends while finding it hard to communicate with her family in sign language. “Why am I the only person born different from my family?” The more she thinks about it, the more she feels alienated. Wishing to be deaf, Bo-ri sees an old woman diver on the TV deafened by a long-term diving. Bo-ri jumps into the sea and loses consciousness. Waking up in the hospital, she pretends she can′t hear. Bo-ri is a heartwarming movie. Not only does Bo-ri have no ill will, but all of her family members actively express their affection for each other. It is a movie starring deaf people, but it shows the bright side of life without using disability as a tragic element. Bo-ri's intentions are pure, but we cannot support her self-inflicted disability. The movie makes us eager to see things in a positive light where the innocence of childhood and family love meet.

“Bori” stars (“A Resistance“) as the titular Bo-ri, along with (“Money“), (“Money”) and young . It is scheduled for a May 21st, 2020 release in South Korea.

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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