Netflix News

Train to Busan Director Yeon Sang-ho Gearing Up for Netflix Series Hellbound

As “Peninsula”, his sequel to the smash-hit “Train to Busan”, gets ready for a Summer 2020 release, it has been announced that director will be spearheading an adaption of his own webtoon “Hell” for a horror series titled “”.

In “Hellbound”, supernatural beings appear out of nowhere to condemn people to hell. It doesn't matter whether these events are a blessing or a curse: a new religious group is interpreting them all as the will of the divine. What unfolds through this predicament is an intense and highly-charged story about people who must survive under conditions of utter social chaos. The story was originally published as a webtoon, titled “Hell” or 지옥 in Korean, and has garnered a great deal of attention and acclaim. As a Netflix original series, “Hellbound” will take on a new form through the collaborative work of director Yeon Sang-ho and illustrator Choi Gyu-seok, the author of “Songgot”, a webtoon that was adapted as a television drama in 2015.

Yeon and Choi will together spearhead “Hell” (or 지옥)'s transformation from a webtoon into a Netflix original series. The duo will join forces on the script, while Yeon will also direct the production, in order to expand “Hellbound” upon the themes and views introduced in the webtoon. Choi is expected to exhibit his insight into social issues the way he did in “Songgot”. 

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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