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Hong Kong International Film Society Hosts World Premiere of Stoma

The Hong Kong International Film Festival Society (HKIFFS) tonight hosted the long-awaited world premiere of ““, ‘s devastating but ultimately sanguine story of survival and resolve.

Initially scheduled for the cancelled 44th Hong Kong International Film Festival (HKIFF44) earlier this year, the screening took place during CineFest at K11 Art House. Director Hungand lead actor were in attendance to meet and share their insights with the audience afterwards.  

The screenplay for “Stoma” was written by the late cultural icon Julian Lee, based on his long battle with cancer. The film follows an emotionally harrowing journey endured by young gay photographer Alex after he is diagnosed with peritoneal cancer. Abandoned by his brother and his dithering lover, Alex is forced to face his mortality and the loss of sexual identity, through sheer resilience.

“It is taboo to talk about diseases or cancer in traditional and conservative Chinese society, simply for their inauspicious implications, and discussions on sex and homosexuality even more so,” explained Hung, who directed the acclaimed “Soundless Wind Chime” in 2009. “So you can imagine the predicament of a cancer-afflicted gay man who becomes an invisible victim of double discrimination.”

“Through “Stoma”, I hope the audience can hear the voices of the marginalised gay community,” he said. Lead actor Lam also noted that his role in the film was the most stressful and heart-wrenching among all his acting experiences.

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

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