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Electric Shadows Film Festival Presents Voices of Youth, Unseen Taiwanese Films of The 1960s

From April 15th to 21st, the new Asian film festival in Antwerp, Belgium, presents the free-access online event ‘Voices of Youth. Unseen Taiwanese films of the 1960s'. The program consists of a selection of Taiwanese films from the 1960s that have recently been rediscovered and restored.

The two film programs will be introduced by Victor Fan, Reader at Kings College London specializing in cinema from China and Hong Kong. On Saturday April 17, expert in Taiwanese cinema Wafa Ghermani will present her lecture ‘Mou Tun-fei and his exceptional position in Taiwan film history', followed by a live Q&A with both speakers. 

The film programs can be viewed free of charge across Europe, the lecture and Q&A are open to a global audience.

You can find more information on the website and via the Facebook event. Register for free for the lecture and Q&A here

A Morning in Taipei by Pai Ching-jui

Program 1
A Morning in Taipei – Pai Ching-jui (1964, 20')
I Didn't Dare to Tell You – Mou Tun-fei (1969, 78')

Program 2
Run – Han Hsiang-ning (1966, 5')
The End of the Track – Mou Tun-fei (1970, 91')

When?
Both programs will be available from April 15th to 21st.
Lecture and Q&A: April 17th.

Where?
www.decinema.be/electricshadows

‘Voices of Youth. Unseen Taiwanese films of the 1960s' is the first public event of Electric Shadows, a brand-new festival in Antwerp, Belgium, that is keen on exploring both historical and contemporary Asian film culture.

The online event is a collaboration between Electric Shadows, De Cinema and Taiwan Film and Audiovisual Institute, with the support of the Flemish Audiovisual Fund. 

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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