Burmese Reviews Media Partners Reviews Vesoul International Film Festival of Asian Cinema

Documentary Short Review: February 1st (2021) by Leila Macaire and Mo Mo

"Everything is gone"

Set up as a combination of two visual diaries and a continuous e-correspondence between the two filmmakers, “” attempts to make sense of the coup in Myanmar, as much as of the country as a whole, from two different perspectives, one from the local’s and one from the tourist’s.

“February 1st” screened at Vesoul International Film Festival of Asian Cinema

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The result is a visually impressive, experimental short, which thrives on the antitheses that characterize the two filmmakers, but finds its apogee in the moments they present their similarities. In that fashion, the fact that woke up on February 1st, 2021 to find out that she has lost her freedom, feeling as “a foreigner in her own country” is juxtaposed with Leila’s travel in the country a year before, and the fact that she discovered there a breath of freedom she had never known before. 

These comments are presented through a variety of different footage. In the beginning, through many still photos, which are presented in slideshow fashion, accompanied by the narration of the two directors. Later on, through actual footage both of the country and the eventual protests against the regime and the three fingers that became a symbol of unity of those who participated. The switching from one perspective to the other works quite well here, as much as the sequence of footage, with the busy moments of the city being combined with ones of calmness, as a very beautiful one of the sea, and the intense ones of the protests with a night one focusing on a fire. 

In that fashion, Macaire’s editing emerges as one of the best aspects of the movie, both for the order the various footage are presented, but also for the rather fast pace, which works quite well in terms of the entertainment the short offers. The overall approach points intently towards French cinema, but the whole thing works quite nicely, managing to highlight both the differences and the similarities of the two women, while giving a universal message about unity and the meaning of freedom.

“February 1st” is a very interesting short that manages to be both experimental and quite easy to watch. 

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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