On the occasion of the latest Godzilla film streaming on Netflix, Panos Kotzathanasis talks about the story, compares with Shin Godzilla, mentions the social, political and historical comments found throughout the film, the similarities with Always Sunset on Third street, the acting, the editing and the cinematography, and of course, the presentation of the monster itself.
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
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