Fourth film by Kathy Meng, following “Elite Match“, “Willow and Wu” is a film shot in NYC, which has won the award for Best Screenplay at 27th Brooklyn Film Festival.
Willow and Wu review is part of the Submit Your Film Initiative
The film begins with a rather intense scene, where Waley seems to be breaking up with a girl through a video call. The girl’s cries following the call cements the fact, while the next scene has her, Willow, in an obviously depressed state receiving a call from Mrs Wu, her boss, insisting that she comes to her house right away. It turns out that although she is her assistant, Willow has to help her husband this time. Mr Wu wants to be filmed on a script his wife wrote and wants Willow to handle the recording. With her not having prior experience and being quite anxious, things do not go exactly smoothly.
Moreover, the video seems to focus on the passing of his friend Bao and soon asks her to read the script, before he decides to shoot the whole thing outside, even asking her to put some make up on him. It turns out that he is also anxious, which is why he appears so demanding. Eventually, loss brings the two closer.
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Kathy Meng follows the film-about-film meta trope in her short, in order to present her comments. Loss, and how difficult it can be for people to express it is the main one, but there is more. That people who appear being difficult or even unlikeable can actually have reasons for being that way is also commented upon, as much as how opening up can help overcome psychological issues. That both protagonists benefit from this last aspect adds to the particular remark. Lastly, one could say that Meng also comments on how acting works, and how directors can cooperate with the actors in order for the latter to perform they way they expect them to.
Although there is a dramatic base here, Meng instead opts for a more happy-go-lucky approach, which works quite well in general, particularly during the finale in the park, which is surprisingly cheerful. Aolan Guo‘s smile as Willow, who gives an overall excellent performance, will definitely stay on the mind of any viewer, as will Yves Yan‘s actual performance in the end, as Wu. Overall the acting is on a high level here with the two protagonists’ chemistry also being of the highest level.
Sancheev Ravichandran captures both the interiors and the exteriors shots with realism, without any particular exaltation, with the close-ups working well. Remy LaFlamme’s editing results in a fast pace that allows the full story to be leisurely told in just 13 minutes.
“Willow and Wu” is a very appealing short that manages to tell a full story in rather economical and entertaining fashion. I think Meng is ready to transition to features, as I think she would be quite good in a family drama.
