31. Elegies (2023)
Hui herself has stated “Elegies” is not a mainstream movie. While the statement could be applied to many of her features too, it certainly rings true considering the subject of her recent project, which many viewers likely won’t be familiar with. Names such as Wai Yuen, Huang Can-ran or Liu Wai-tong or even their poems will be new to many audiences, even though you could say it paves the way for getting to know them and why they are so cherished within their culture. This has a lot to do with the simple, yet effective approach of Hui, who is seen in conversation with the authors themselves, which makes her subject more approachable and interesting, considering we hear the background to some of the poems after (or before) hearing them ourselves. (Rouven Linnarz)