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Bad Accent Video Review: Cageman

Cageman (1992) directed by Jacob Cheung.

In this video, we delve into the poignant and thought-provoking film (1992) directed by .

This powerful sociopolitical satire explores the lives of tenants in a cage home in Hong Kong, a stark representation of the city’s housing crisis.

Join us as we discuss the film’s central characters, including Fatso, a landlord juggling his responsibilities while caring for his intellectually disabled son, Prince Sam. We’ll also meet the colorful residents of the Wah Ha cage-house, each reflecting different facets of society—from the elderly storekeeper 7-11 to the comedic Monkey Man.

We’ll analyze how Cheung’s direction, reminiscent of a stage play, captures the claustrophobic atmosphere of these living conditions, highlighting issues like institutionalism, bureaucracy, and political hypocrisy. With award-winning performances and a gripping narrative, Cageman remains a relevant commentary on the struggles faced by marginalized communities.

Don’t miss our in-depth review and insights on this often-overlooked gem of Hong Kong cinema. Subscribe for more film analyses and discussions!

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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