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Exclusive Clip: Wolves, Pigs and Men (1964) by Kinji Fukasaku

Wolves Pigs and Men Kinji Fukasaku
It is now considered amongst Kinji Fukasaku's early career masterworks

By 1964, had been working as a director for only three years, but had already directed eight works. That year, however, is an important one in the famed director’s long and illustrious career. For one, it gave him one of his early box office hits in “Jakomon and Tetsuo”, which starred Ken Takakura, then an actor freshly making his name and secondly, it also saw the release of what is now considered amongst his early career masterworks, the film noir tinted “Wolves, Pigs and Men”, a feature that may not have done well at the box-office upon release due to extenuating circumstances but would have an impact not just on his career but also his personal life.

Set in post-war Japan, “Wolves, Pigs and Men” follows three brothers. Ichiro, the eldest, abandoned the family to join the yakuza for a life of comfort and luxury. Jiro, the middle brother, tried to follow in the elder’s footsteps but ended up being imprisoned, leaving their ailing mother in the care of the youngest brother, Sabu, in what Sabu calls a pigsty of a slum. Upon release, Jiro returns to find their mother dead and Sabu wanting nothing to do with his brothers. However, Jiro has a plan to rob the Iwasaki Family, the yakuza Ichiro works for, of twenty million yen and recruits a reluctant Sabu and his friends to help him and his untrustworthy partner Mizuhara pull the job. However, when they end up looting as much in drugs as in cash, Sabu realises his brother plans on double-crossing them and hides the loot, an action that is to have dire consequences for him and his friends, while Ichiro is tasked with finding the ones who pulled the job by the Family.

Check the full review here
The movie is available from Film Movement

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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