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Bad Accent Video Reviews: Nomad

Nomad (1982) by Patrick Tam, screening at Five Flavours.

Dive into the vibrant and chaotic world of (1982), a film now screening at Five Flavours, where blends absurdity, charm, and a kaleidoscope of ideas into one unforgettable ride. This review unpacks the eclectic narrative following four intertwined youths, played by the iconic , , , and .

From a shy bourgeois listening to tapes of his late mother to femme fatale dynamics and a surprising b-movie slasher twist, Nomad defies convention at every turn. Tam’s audacious direction delivers sensuality, humor, cheeky political jabs, and moments of raw cinematic fun.

✨ Highlights:

Leslie Cheung’s unforgettable charm as Louis.
Pat Ha’s striking performance as the bold and beautiful Kathy.
A genre-blending style that evolves from youthful drama to explosive absurdity.
Nostalgic aesthetics and a pace crafted to perfection by Cheung Kwok-Kuen’s editing.
A provocative portrayal of 80s Hong Kong youth culture, brimming with unfiltered energy.
Whether you’re here for the iconic performances, the commentary on Hong Kong’s urban chaos, or the unabashed irreverence, Nomad promises an exhilarating cinematic journey.

👉 Watch now and let us know: What’s your favorite moment from this boundary-pushing classic?

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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