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Red Sea Souk, The Largest Film Market In The Region, Returns For Its Fourth Edition

Jennifer Chen Red Sea
Red Sea Souk brings together 142 exhibitors from 32 countries.

The (RSIFF) has announced its full industry programme. Running from December 7th to 11th, 2024, in Jeddah’s vibrant Al Balad district, this year’s expanded five-day program offers an exceptional line-up of activities bringing together new talent, emerging filmmakers and established regional and international industry leaders for a series of events, talks and networking opportunities. The Red Sea Souk activities will take place alongside the growing marketplace which features 142 exhibitors from 32 countries this year.

Shivani Pandya Malhotra, RSIFF’s Managing Director, said: “The Souk is a vital part of the RSIFF experience, serving as a hub for collaboration, innovation, and opportunity. This year, we are more committed than ever to creating an environment where filmmakers, producers, and industry professionals can come together to share knowledge, forge meaningful connections, and shape the future of cinema. We are excited to present this year’s events and thankful to our partners and contributors who continue support our ambition to become the premier film market in the region.”

Souk Talks will bring together international film professionals and invite them to connect with Souk audiences through a series of panel sessions. The Talks programme is a vibrant platform that has been curated in collaboration with CAA and is designed with producers at the core of its focus. It will offer inspiring conversations with unparalleled insights to the present and future of the Arab, African, Asian and global film industries, including their far-reaching impact on the global entertainment landscape.

Speakers will include Glen Basner (FilmNation – USA), Diana Williams, (Kinetic Energy Entertainment- USA), Seb Shorr (Fremantle – UK), Toni Kamau (We Are Not The Machine – Kenya), Ritesh Sidhwani (Excel Entertainment – India), Vincent Maraval (Wild Bunch International – France) Tima Shomali, (Producer, Director, Actor – Jordan) and Jeongin Hong (Plus M Entertainment – South Korea).

Inspire! Labs programme at the Red Sea Film Festival will offer events that empower filmmakers with unique perspectives in film, episodic storytelling, animation, and gaming. The intimate sessions will connect participants with global industry experts to demystify the creative process, foster talent development, and spark the imagination of participants.

The Souk Awards will be decided by this year’s Project Market Juries:

PROJECTS IN DEVELOPMENT JURY

Elisa Fernanda Pirir, Producer,STÆR – CALLS FROM MOSCOW; THE HYPNOSIS; EVERYBODY LOVES TOUDA (2024); THE NIGHTS STILL SMELL OF GUNPOWDER (2024);

George Schoucair Red Sea

Georges Schoucair, Producer, Abbout Productions – FÉLICITÉ (2017), WAJIB (2017), RAFIKI (2018), BEAUTY & THE DOGS (2018), IT MUST BE HEAVEN (2019), A SON (2019)

Louise Bellicaud, Producer, In Vivo Films – ABOU LEILA (2019), DOS ESTACIONES (2022), UN VARON (2022), LEVANTE (2023), HORIZONTE (2024)

WORKS IN PROGRESS SHOWCASE JURY

, Filmmaker/ Cinematographer, Philippines. Escobar’s first feature film LEONOR WILL NEVER DIE had its world premiere at Sundance and won the Special Jury Award for Innovative Spirit.

Christophe Leparc, Managing Director of Quinzaine des Cinéastes and Head of Cinemed, Mediterranean Film Festival

Fyzal Boulifa, Director/ Screenwriter, UK/Morocco. Boulifa has created a number of short films, including THE CURSE (2012) and RATE ME (2015) and two features: LYNN + LUCY (2020) and THE DAMNED DON’T CRY (2023). He has recently co-written Mahdi Fleifel’s TO A LAND UNKNOWN (2024).

SERIESLAB JURY

Diego Ramírez Schrempp

Executive producer on FALCO, winner of an International Emmy award in 2019. Co-creator and showrunner on GREEN FRONTIER one of Colombia’s first original series for Netflix. Production supervisor on NARCOS and co-creator and showrunner on LA CABEZA DE JOAQUÍN MURRIETA Executive producer on ONE HUNDRED YEARS OF SOLITUDE for Netflix.

Jennifer Chen is the head of Channel Zero Studios. Previously, Jennifer served as VP of Programming for Channel Zero’s suite of Canadian broadcasting networks. Her production credits include THE PUZZLE LADY, BOOT CAMP, WYNONNA EARP (Season 1), and THE PINKERTONS.

Nadia Tabbara

Screenwriter and creativity coach who has produced more than four regional TV series and her show AWAKE is the only Lebanese TV series that has ever been broadcast across all continents, most recently picked up by ARTE. She wrote and directed a fictionalized short film in the Internationally Emmy nominated series BEIRUT: 607.

The Red Sea Souk will be based in Al Balad’s Culture Square, as part of the Festival’s commitment to complete cinematic immersion, including industry screenings in the new cinema palais that provide an ideal opportunity for participating films to seek sales, distribution and future festival participation opportunities. Access to the Souk is open to all Red Sea International Film Festival badge holders. The Red Sea Souk 2024 is supported by Saudia Arabia’s Cultural Development Fund and by Neom.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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