Korean Reviews Reviews

Film Review: Citizen of a Kind (2024) by Park Young-ju

Citizen of a Kind actors Ra Mi-ran and Yeom Hye-ran
“Citizen of Kind” is a rather entertaining film to watch, which would have been much better, though, if the comedy aspect was toned down.

Crime films have been one of the reasons Korean cinema holds the place it does in international cinema, with the country having essentially perfected the genre, even if the abundance of such titles has resulted in some subpar titles recently. tries a different approach, based on a real case of a dry cleaner worker taking on a syndicate dealing with phone scams in 2015, which allows her to add a comedic element to the whole thing, while, quite interestingly, also presenting the side of the people actually doing the scamming.

After losing her laundry store to a fire incident, single mom of two kids Duk-hee receives a call from a bank offering a generous upfront loan, so she takes it right away. If that was not enough, she keeps making payments for various reasons, until she finds out that she has become the victim of a voice phishing scheme. Devastated, she reports to the police the whole thing, but she is met with mockery and her case is quickly dismissed. Not willing to give up, Duk-hee decides to investigate on her own, with the help of two colleagues, and eventually even gets a break in the face of Jae-min, a young man who has essentially been enslaved by the syndicate to work on the phone scams. Soon, however, she gets involved in a case that seems to be much more dangerous than she and her friends could fathom

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Park Young-ju directs a film that unfolds in three axes, one being dramatic, one comedic, and one concerning the real-life crime story which is the base of the story. In that prism, one thing becomes quite evident, quite quickly in “”. When the movie moves more towards comedy, the quality quickly drops, even if there are some pieces that are quite funny. Apart from this, however, it is easy to say that the combination of the three works quite well, particularly in terms of entertainment.

The drama is definitely the best aspect here. Starting with the shock Duk-hee experiences when she realizes she was scammed, continuing with the way her and her children’s situation deteriorates after that, and concluding with the absolutely horrifying conditions the people who are forced to make the phone calls experience, the whole approach here is rather impactful. At the same time, it allows for a full analysis of the whole phone scam concept, highlighting that there are victims on both sides. The fact that the callers might even have it worse than the swindled is a rather shocking aspect here, that definitely adds to the drama element, as much as on the crime aspect.

As such, the comments about the system and the police’s inability to deal with these scams, that were quite prevalent at the time, are quite intense here, and mirrored in Detective Park, who is presented in a rather negative way, essentially mirroring the whole force. Park somewhat exonerates him in the end, but the fact about the critique remains.

There is one scene that definitely stands out though, and that is the ‘battle’ in the end, which is presented in such brutal realism that one can only stare in awe at what is happening. Both as Duk-hee and as the villain of the story are outstanding here, cementing the best performances in the movie. In general, the acting is on a very high level, with as Chinese-speaking Bo-ram and as Jae-min being equal standouts, the former in comedy and the latter in drama and tension.

“Citizen of Kind” is a rather entertaining film to watch, which would have been much better, though, if the comedy aspect was toned down.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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