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Bad Accent Video Reviews: Tumandok

Tumandok Video Review

Join us as we delve into ““, the award-winning film by and that captivated audiences at the Cinemalaya Awards, winning 5 major accolades, including Best Film and Best Screenplay.

Set against the stunning yet challenging backdrop of Panay’s mountains, the film tells the story of En, a young Ati woman, as she battles bureaucratic hurdles to protect her tribe’s ancestral land. Featuring an all-Ati cast speaking Inati, traditional songs, and a powerful narrative, “Tumandok” beautifully blends realism with minimalist cinematography.

📌 Highlights:
A gripping tale of resilience amidst cultural and legal battles.
Insights into the Suludnon and Ati communities of the Visayas.
Authentic storytelling with a semi-documentary approach.
Stunning cinematography showcasing Panay’s natural beauty.

🏆 Celebrate the cultural significance of this groundbreaking film, supported by the National Commission for Indigenous Peoples, and discover why it’s a must-watch for anyone passionate about indigenous stories, social justice, and Filipino cinema.

📽️ Have you seen “Tumandok”? Share your thoughts in the comments!

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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