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Upcoming Film Kaktarua Explores Surveillance, Resistance, and Self-Discovery

Kaktarua project still
Kaktarua is selected for IFFR Pro’s Darkroom

The forthcoming Bengali film ““, directed by (Kalsubai, Nehemich) and , promises to weave a thought-provoking narrative of resistance and self-discovery. Set in a timeless rural village in Bengal, “Kaktarua” (meaning “scarecrow”) delves into themes of totalitarianism, familial bonds, and the lingering impact of authoritarian rule.

The story follows Radha, a young woman who returns to her ancestral village of Pakhi to search for her mother’s lost wedding ring—a token of love from her father, who mysteriously disappeared before her birth. However, her journey takes an unexpected turn when she discovers Pakhi is under the iron grip of a quasi-military group known as “The Red Ants,” whose surveillance network has stifled the village. With the villagers living in constant fear and many children held hostage, Radha encounters three rebellious kids who plan to overthrow the regime by destroying its underground hub, hidden beneath a scarecrow.

Yudhajit Basu and Prithvijoy Ganguly

The directors describe Kaktarua as a “personal yet political narrative,” using Radha’s journey to reflect on the psychological and physical toll of oppressive regimes. Drawing inspiration from India’s history of youth resistance and the legacy of playwright Safdar Hashmi, the film parallels the struggle for freedom with Radha’s quest to understand her family’s past.

Co-producer Ivy Yu-Hua Shen mentions: “The issues that happened in the film—surveillance, curfews, and the lack of freedom of voice—have all been realities in Taiwan and many Asian countries before. What’s even more heartbreaking is that these issues are still faced in many places around the world today. Many filmmakers have been imprisoned or forced to flee their homes because of these challenges.”

The visual tone of Kaktarua shifts from bleak, rain-soaked interiors to the eerie, timeless atmosphere of Pakhi, a village trapped under surveillance. Through dreamlike imagery, the film creates a haunting portrait of a society under siege and the resilience of those who dare to fight back.

Produced with international collaboration (The Victoria Foundation and U Turn Pictures from India and Betula Films from Taiwan) “Kaktarua” bridges personal experiences and broader socio-political commentary, resonating with global audiences who continue to face the challenges of authoritarianism. The filmmaking duo aims to use this powerful story to inspire dialogue about freedom, resistance, and the legacy we leave behind for future generations.

“Kaktarua” promises to be both an artistic and poignant cinematic experience, reminding us that even in the darkest of times, the human spirit finds ways to resist and endure.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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