Korean independent cinema has long been a space for deeply personal, visually striking narratives that explore human nature and social dynamics. One such film making waves is “Boy in the Pool,” a contemplative, evocative piece directed by Ryu Yeon-su. Starring Yang Heewon, the film delves into themes of youth, regret, and emotional isolation. In this exclusive conversation, the director and lead actor provide insight into their creative process, the film’s inspirations, and the challenges of bringing this intimate story to life.
The Story and Inspirations Behind “Boy in the Pool”
Ryu Yeon-su, the film’s director, describes “Boy in the Pool” as a deeply personal project. Inspired by a real-life encounter and infused with elements of her own past, the film presents a layered and introspective exploration of its protagonist’s journey.
“The story is about a young man who is trapped in his past emotions,” Ryu explains. “I wanted to depict the weight of memories that we carry and how they shape us.”
Actor Yang Hee-won, who plays the lead, was drawn to the film’s quiet but powerful storytelling. “When I first read the script, I felt an immediate connection to the character. There was something hauntingly familiar about his struggles,” he shares.
Ryu elaborates that memory, loss, and nostalgia played key roles in shaping the narrative. “I was inspired by moments in my own life—certain regrets, people I’ve lost touch with, places that hold a strange emotional weight. The pool itself serves as a metaphor for these lingering thoughts, a place where time seems to stand still.”
The Creative Process and Challenges
One of the defining aspects of “Boy in the Pool” is its striking visual language. Ryu, who also took on cinematographic responsibilities, emphasized the use of imagery to communicate emotion.
“I wanted to capture feelings through atmosphere rather than explicit dialogue. The pool, for example, is a symbolic space in the film—it represents both freedom and confinement,” Ryu says. “We used a lot of natural light and reflections to emphasize that duality, making the pool feel dreamlike yet isolating at the same time.”
This emphasis on atmosphere extended to the actors’ performances. For Yang, embodying his character’s quiet suffering required a delicate balance. “Much of the acting was internal. I had to convey deep emotions with subtle expressions and body language. That was a challenge, but also what made the experience rewarding.”
Ryu recalls moments on set where minimalism was key. “There were scenes where we deliberately left long pauses, allowing the silence to speak for itself. It’s something I admire in certain European and Japanese films, and I wanted to bring that restraint into “Boy in the Pool.””
Another challenge was working within the constraints of independent cinema. “Budget limitations forced us to be creative,” Ryu admits. “We had to make every shot count, every scene meaningful. But sometimes, limitations bring out the best in us as filmmakers.”
Reception and the Future of Korean Independent Cinema
Since its release, “Boy in the Pool” has resonated with audiences, particularly those who appreciate slow-burn, emotionally driven narratives. The film’s introspective nature sets it apart from mainstream Korean cinema, which often leans toward high-energy storytelling.
When asked about the future of Korean independent filmmaking, Ryu remains hopeful but acknowledges the difficulties. “It’s a tough industry, but I believe personal stories will always find an audience. As long as there are people willing to listen, films like this will continue to be made.”
Yang echoes this sentiment, adding, “Being part of this film has reinforced my love for independent cinema. There’s something raw and honest about working on projects like this.”
Ryu also expresses gratitude for the festival circuit, which has been instrumental in helping smaller films reach wider audiences. “Festivals provide a space where unconventional films can thrive. Without them, projects like “Boy in the Pool” might struggle to find a platform.”
