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Short Film Review: Rare Stone (2024) by Jiahang Li

Rare Stone still
Rare Stone starts as a simple animation, but its intricacy is revealed quite soon

Billed as a children’s film, ‘s 9-minute animation implements a simple approach regarding the protagonist of the short, a bird, but gets more intricate as time passes.

is distributed by Dogme23.

A little bird whose beak is essentially a long straight line, tries to pull up a little stone underneath a boulder, only to cause a landslide, which essentially allows it to movie forward in the rocky beach it finds itslef in. Roaring thunders are heard, and the bird starts experiencing various new things, as it continues to chase the initial stone, but also the light of the sky.

The bird’s drawing is quite simple here, just a few lines, but the same does not apply to the environment it inhabits, which starts as simple, but becomes more and more intricate as the short unfolds. At the same time, that the bird is growing bigger and more bulky, could be perceived as a comment on how people grow through their experiences, and by “exploring” the world around them.

As soon as color is introduced in the short, the images become quite impressive, with the speed of the animation and the morphing working particularly well and the flow of the movement emerging as the biggest trait here. Furthermore, the growth of the bird is quite appealing to watch, wiith Jiahang Li even implementing it in humorous fashion. Lastly, that the settings seems to be first painted and then animated definitely works in favour of the visuals here.

Although quite brief, the artistry in “Rare Stone” is rather evident, with Jiahang Li and his crew definitely being a group worth following in the future.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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