Anime Reviews Reviews

Anime Review: Dr Stone: Science Future (2025) by Shuhei Matsushita

Dr Stone Science Future
"We've arrived at the Americas"

Two years after the previous season aired, one of the most successful anime franchises in recent years, “Dr Stone” returns with its final season, which will be presented in three parts throughout 2025. This review covers the first 12 episodes of the fourth season.

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Having resolved the conflict in the Petrification Kingdom, Senku and his expanded crew set their sights on the person responsible for the petrification phenomenon, believed to be residing on the moon. To reach them, however, they need massive resources and manpower scattered across the globe. The journey begins with a trip to the United States aboard the Perseus, an undertaking that presents its own challenges. Upon landing in America in search of corn, a material with multiple uses, they encounter their most formidable foe yet: a group of adults led by a scientific genius and supported by an ultra-powerful warrior. Unlike Senku’s science-driven philosophy, this new faction has focused on developing military equipment.

As I mentioned in the review of the previous season, “despite the intricacy of the technological advancements and the progress of civilization mirrored here, the series remains one mostly directed to kids (or young adults at least), with the lack of violence, sex, interpersonal relations, and character depth moving directly towards this direction. In many ways, “Dr Stone” begins to resemble “One Piece” in tone and structure.” While the slapstick comedy and youthful tone persist, this new season introduces elements that cater to more mature audiences, particularly through the concept and character design of the new antagonists.

During the crew’s trip to the US, themes like gambling and alcohol are introduced, opening the door to new narrative directions. The addition of Dr Xeno and especially Stanley, whose chain-smoking demeanor and ruthless gunmanship give the story a darker edge, contribute to this tonal shift. While the creators stop short of showing explicit violence or death, the groundwork for a more serious narrative direction is clearly in place. Luna’s presence, along with her flirtatious behavior and desire for romance, also adds a more adult dimension to the story.

The introduction of older characters allows ‘s character designs to evolve. Simply having adults in the mix gives her room to experiment. Stanley’s androgynous look is particularly striking, while the ‘perverse’ doctor Xeno and the voluptuous Luna showcase a fresh take on character design in the series.

Additionally, the animation by and gets a creative boost, with new elements such as guns, boats, and especially airplanes adding depth to the visual storytelling. While the violence remains toned down, more so than the fanservice, the vibrant, ultra-colorful backgrounds are still present, reminding viewers that this is ultimately a title geared toward a younger demographic.

” may not completely reinvent the series, but the new elements are a welcome addition. They hint at a possible shift in tone and direction for an anime that was beginning to feel somewhat repetitive.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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