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Video Interviews: Francis Jue

Francis Jue CAAMfest interview
"We're only America because we fight for what makes us American."

has been the talk of the town in Asian American theater. Following his stunning performance as Henry Yuan Hwang — Chinese immigrant, banker, and father to the acclaimed playwright David Henry Hwang himself — Jue has been featured in the New York Times, scooped a Tony Award nomination, and has been well associated with the “” team of Daniel Dae Kim and David Henry Hwang himself. The San Francisco local will appear at this year’s in the recording of the Broadway play on May 11, 2025, which will later be screened nationwide on May 16, 9pm local, as a part of PBS’ “Great Performances” series.

Because of CAAMFest, we had the pleasure to speak to Jue — energetic, kind, and most of all, humble — about his involvement with the metaphysical play’s comedy of errors. Over the next half-hour or so, he grounded the conversation in crediting the community who brought him on stage, his personal growth throughout the production of “Yellow Face”, and the enduring myth of the American Dream

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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