{"id":76538,"date":"2020-04-21T02:02:59","date_gmt":"2020-04-20T23:02:59","guid":{"rendered":"https:\/\/asianmoviepulse.com\/?p=76538"},"modified":"2020-11-08T20:45:22","modified_gmt":"2020-11-08T18:45:22","slug":"film-review-karaoke-terror-2003-by-tetsuo-shinohara","status":"publish","type":"post","link":"https:\/\/asianmoviepulse.com\/2020\/04\/film-review-karaoke-terror-2003-by-tetsuo-shinohara\/","title":{"rendered":"Film Review: Karaoke Terror (2003) by Tetsuo Shinohara"},"content":{"rendered":"\n
Ryu Murakami’s books are strange. They are violent, sensual, absurdly humorous, surrealistic, and hide their comments in an atmosphere of confusion and disorientation. The same actually applies to the movies based on his books, either those he directed himself (“Tokyo Decadence<\/a>“) or those directed by others (“Audition<\/a>“). “Karaoke Terror” despite being quite approachable, also includes the same elements, starting with the story.<\/p>\n\n\nBuy This<\/a><\/span> Title<\/strong><\/h2>\n