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Film Review: Murder Unincorporated (1965) by Hiroshi Noguchi

A genuine farce

The third part of Arrow’s is definitely the funniest, as suggested by the guy in the introduction, who threatens to shoot anyone who does not laugh, suggests.

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The film revolves around a mysterious individual named Joe of Spades, who threatens the existence of a criminal syndicate, despite the fact that no one knows who he is. The crime syndicate that comprises of five kingpins, each one in charge of various “fields” (prostitution, drugs, gamble, etc) decide to hire professional assassins to kill Joe of Spades, after one of their members is gunned down, with a card with the ace of spades lying next to his body. In order to choose ten of them, they use the Assassin’s office, which actually auditions professionals. The final choice comprises of a group of preposterous characters, each with his own, unique, killing technique. However, when a rival syndicate hires its own assassins to kill the aforementioned ones, things become complicated, while someone seems to manipulate them all from the shadows.

Haruyasu Noguchi directs a farcical comedy that focuses on two factors: slapstick humor and gunshots. The first aspect derives mostly from the absurdity of the various assassins. A kid who is supposedly Al Capone’s grandson, named Al Capone III, who constantly drinks and smokes. Another one who tries to raise money to leave his mother’s care, in an effort that leads him to ask for money from anyone who comes his way. A baseball fanatic. Another one holding a history book that can shoot bullets, who searches for a girl, and many more, with similarly peculiar characteristics.

The second aspect appears almost constantly in the film, as the majority of the scenes include a gunshot or two, although they are mostly used in absurd fashion. Two of the assassins shoot at the buttons of a TV in a bar to change the channel. Another one shoots at a telephone, managing to call a number. Others even shoot for no reason at all. The component, however, finds its apogee in the final showdown, which is quite impressive. This part is where the technical aspect shows its prowess, with great cinematography and sound, that benefit the most from the digital transfer of the original, 1965 Nikkatsu film in Blu-Ray format.

Joe Shishido is, once more, cool as ever, although the kid who plays Al Capone III is definitely the one who steals the show. Overall, the acting follows the slapstick aesthetics of the film, with no one in particular standing out.

” is a genuine farce, that produces much laughter, at least to the fans of slapstick humor.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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