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Film Review: Ohong Village (2019) by “Luke” Lim Lung Yin
In his debut feature "Ohong Village", director "Luke" Lim Lung Yin aims to...
Interview with Kyoko Miyake: “I believe there is a growing disconnect between men and women in Japan”
Born in Japan, Kyoko Miyake studied history at Tokyo University and then moved...
Film Review: The Stool Pigeon (2010) by Dante Lam
Dante Lam wowed audiences in 2008 with the crime thriller “Beast Stalker.” The...
Film Review: Mystery of the Night (2019) by Adolfo Borinaga Alix Jr Screening at Fantasia 2019
In his last film I watched, Adolfo Alix Jr used the story of...
Film Review: Shadow (2018) by Zhang Yimou Screening at Fantasia 2019
As I have stated many times before in the past, wuxia is a...
Film Review: The Wonderland (2019) by Keiichi Hara Screening at Fantasia 2019
Days away from her birthday, teenage girl Akane feels listless as she...
Interview with Jean-Paul Ly: “Jailbreak marks the beginning of the action film industry for the country”
Jean-Paul Ly, is an actor and 2017 Award Nominee Action designer/performer, of Chinese...
Film Review: Gurgaon (2017) by Shanker Raman
Since my relatively recent descent into Indian cinema, one of the elements that...
Trailer for New Japanese Kaiju Comedy “Attack of the Giant Teacher”
Japanese Director Yoshikazu Ishii ("Game Death of Sushi", "Ultraman Ginga") recently premiered his newest film...
Film Review: The Gangster, The Cop, The Devil (2019) by Lee Won-tae Screening at Fantasia 2019
The city of Seoul has been terrorized by a series of seemingly unrelated...