Reviews

More Articles

Film Review: Wet Season (2019) by Anthony Chen

Six years after the international success of "Ilo Illo", Anthony Chen is back...

Film Review: Fujian Blue (2007) by Robin Weng

Robin Weng's debut was produced by several independent companies in China and abroad,...

Film Review: Creepy (2016) by Kiyoshi Kurosawa

Kurosawa’s long-awaited return to his psychological J-horror roots, since his latest films were...

Film Review: 1428 (2009) by Haibin Du

How people survive a disaster? And why do we want to see images...

Trailer for Upcoming Korean Film “Ashfall” by Lee Hae-joon and Kim Byeong-seo

Disaster films in South Korea have known fair amount of success, with films...

Documentary Review : What We Left Unfinished (2019) by Mariam Ghani

The Afghan film history is short and, much like the recent history of...

Film Review: Chained (2019) by Yaron Shani

Shooting a film with a protagonist as unlikeable as Rashi in “Chained” is...

Asian Cinema Still on its Original Way

Everyone who pursues meaning, and not laughter and primitive everyday themes, goes to watch...

Documentary Review: Japan, the Emperor and the Army (2009) by Kenichi Watanabe

Kenichi Watanabe's debut is a documentary as it should be. An elaborate concession...

Film Review: Mukhomukhi “Face to Face” (2019) by Bashar Georgis

A noticeably disturbed man rides a crowded bus to some unknown destination when...