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Film Review: Lorni – The Flaneur (2019) by Wanphrang K. Diengdoh

For most people, the first that comes to mind when the cinema of...

Gangneung International Film Festival Celebrates Kim Dong-Ho

1st Gangneung International Film Festival, Festival Report by Jean-Marc Thérouanne

Song Kang-ho and Lee Byung-hun to Fly off for “Emergency Declaration”

Two of South Korea's most beloved actors, Song Kang-ho and Lee Byung-hun, are...

Film Review: The Debts (2010) by Wiseman Wang

“The Debts” written, directed and produced by Wiseman Wang is set in a...

Trailer for New Shunji Iwai Film “Last Letter”

Japanese director Shunji Iwai ("A Bride for Rip Van Winkle", "All About Lily...

Book Review: Nijigahara Holograph (2003) By Inio Asano

Growing up in a small village, a group of students is haunted by...

Film Review: Sailor Suit and Machine Gun (1982) by Shinji Somai

After experiencing the permeating machismo of the Yakuza Papers Pentalogy, the opportunity to...

Film Review: A Human Murder Weapon (1992) by Takashi Miike

Takashi Miike's earliest works suffered from two things for the most part: Hisao Maki's script...

Film Review: The Pool (2018) by Ping Lumpraploeng

Occasionally, artists experience a creative low point in their careers, usually linked to...

Trailer for Upcoming Korean Film “I Won’t Hurt You” by Son Jae-gon

With the turn of the decade fast approaching, we have the trailer for...