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Film Review: The Legend of the Stardust Brothers (1985) by Macoto Tezuka

At 22 years old, Macoto Tezuka, the son of legendary manga artist and anime director...

Film Review: Seoul Station (2016) by Yeon Sang-ho

“If I had had a home, I would have never ended up in Seoul station.” Over the...

Film Review: High Flash (2018) by Ching Sheng Chuang

Taiwanese cinema has been on the rise during the latest years, with a number of...

Interview With Kenneth Bi: Being comfortable with one’s own heritage really is another way of becoming comfortable with who one is (12/11)

Kenneth Bi’s directorial debut, Rice Rhapsody (2004), won Outstanding Screenplay from Taiwan’s GIO and screened...

“Along With The Gods: The Last 49 Days” Debuts on Digital, Blu-ray™ Combo Pack & DVD December 11

Following the blockbuster success of "Along With The Gods: The Two Worlds", writer/directed Kim Yong-hwa...

Film Review: Possible Faces (2017) by Lee Kang-hyun

Capsized in an ocean of faces, strangers resist the pull of the depths and muster...

Film Review: Die Tomorrow (2017) by Nawapol Thamrongrattanarit

Thamrongrattanarit's previous work, "Heart Attack" is one of my favorite films of the latest years,...

Film Review: Dead Pigs (2018) by Cathy Yan

Wild land development and the fast changing of social and physical landscape of China has...

Film Review: Sunset in my Hometown (2018) by Lee Joon-ik

All things Korean seem to be very much in vogue right now, particularly music. Lee...