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Film Review: This Is Not What I Expected! (2017) by Derek Hui

By Shikhar Verma In Ritesh Batra's 2013 Indian film 'The...

Interview with Yoshinori Sato: “I think Japanese individualism is still immature.”

Director Yoshinori Sato was born in 1975 and worked at the University of...

Film Review: Arishadvarga (2019) by Arvind Kamath

(From the film's page) In Hindu theology, Arishadvargas are the six passions of...

Interview with Takashi Saito: “Nowadays, losers in Japanese society are defined by their economic status”

Takashi Saito received a Special Award at the Mito Short Film Festival in...

Short Film Review: The Postman (2018) by Francis Lau

A man with a white shirt is ascending the stairs to his home,...

Film Review: For Love’s Sake (2018) by Naoki Segi

I must say, my first impression, composed of the outline and poster of...

Yuen Woo-ping to receive Lifetime Achievement Award at the New York Asian Film Festival

The Star Asia Lifetime Achievement Award at the New York Asian Film Festival...

Film Review: Our Departures (2018) by Yasuhiro Yoshida

Japanese cinema has always been fascinating while handling the family dynamics. Even the...

Film Review: Hand of Death (1976) by John Woo

Before inventing the "Heroic Bloodshed" genre in the 80's, with films that shaped...

Film Review: Kotoko (2011) by Shinya Tsukamoto

“I'm still allowed to exist.” Although most of his films...