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Film Review: Dumplings (2004) by Fruit Chan
Remains after a 90-minute feast of fetus-filled dumplings concocted by director Fruit Chan...
Interview with Huang Hsin-Yao: “Extricating softplush toys from claw machines is therapeutical”
Since its world premiere at the Taipei Film Festival in 2017, „The Great...
Film Review: Night is Short, Walk on Girl (2017) by Masaaki Yuasa
I have to admit, I consider Masaaki Yuasa one of the greatest anime...
Film review: They Sing Up on the Hill (2018) by Bat-Amgalan Lkhagvajav and Ian Allardyce
Quite an unusual film, Bat-Amgalam Lkhagvajav’s feature debut lingers somewhere between the music...
Film Review: Triple Threat by Jesse V. Johnson
"Triple Threat" is the expected reunion of the kings of Asian action, which...
Film Review: Clean Up (2018) by Kwon Man-ki
Young and talented director Kwon Man-ki’s graduation project from the Korean Academy of...
Documentary Review: Peace (2010) by Kazuhiro Soda
Kazuhiro Soda's observational documentary filmmaking approach could leave each of his films like...
Film Review: Complicity (2018) by Kei Chikaura
The Japanese film producer / writer / director Kei Chakaura tackles the topics...
Close-Knit by Naoko Ogigami to be screened in London by South Social Film Festival as part of “Japan Day”
On Saturday 6th of April 2019, at 6pm, South Social Film Festival is...
“Garuda Power” in London as part of a free Weekend of Cult Comics and Fantasy Film from Indonesia on 16-17 March 2019
“Weekend of Cult Comics and Fantasy Film from Indonesia: Film screenings,...