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Incentives for eligible productions filming in Jordan, from the Royal Film Commission – Jordan (RFC)

As of 2018, eligible productions filming in Jordan can benefit from a 10% to 20%...

Film Review: Newton (2017) by Amit V Masurkar

"Newton" had its world premiere at the 67th Berlin International Film Festival in the Forum...

Documentary Review: Tokyo Idols (2017) by Kyoko Miyake

Sometimes you chase a dream and sometimes you chase an obsession.  The dream can be...

Film Review: Demon Pond (2005) By Takashi Miike

"Demon Pond" is a retelling of the classic Kabuki play sharing the same name. The...

Film Review: Wolf Guy (1975) by Kazuhiko Yamaguchi

“Tonight smells like another bloody incident perpetuated by humanity.” Perhaps it should not come as a...

Film Review: Doberman Cop (1977) by Kinji Fukasaku

“Tokyo doesn't agree with country people. After a month we all go crazy.” Ever since he...

Film Review: Vanishing Time: A Boy Who Returned (2016) by Um Tae-hwa

Vanishing Time: A Boy Who Returned" is Um's second feature length film and his first...

Film Review: Court (2014) by Chaitanya Tamhane

  “Court”, the debut feature of Chaitanya Tamhane, is a poignant and bitter portrayal of institutional...

Film Review: The Flight (Urojahaj, 2018) by Buddhadeb Dasgupta

Buddhadeb Dasgupta is one of the most prominent contemporary Bengali filmmakers, having received 27 National...

Film Review: Jagga Jasoos (2017) by Anurag Basu

Anurag Basu wanted to make a musical and he made it. But the amazing fact...