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Short Film Review: Dialog (2019) By Souvik Chakraborty
“Dialog” explores the streets of Mumbai, from the people to the scenery and...
Film Review: The Education (2019) by Kim Duk-joong
A wide variety of emotions that make up human nature are explored while...
Film review: Lost Lotus (2019) by Liu Shu
Asia is not just a huge and still growing box office market, but...
Interview with Paul Soriano: I found the story about the Mañanita police force quite unique, because they respect life
The seventh feature film by the Filipino filmmaker Paul Soriano - "Mañanita",...
Massive Giveaway from Asian Movie Pulse & Top Companies! Read how to get your prize.
On the occasion of our newly formed "Asian Movie Pulse" YouTube Channel, we...
Film Review: New Tale of Zatoichi (1963) by Tokuzo Tanaka
After the success of the first two installments of what would soon become...
Film Review: Loveless (2017) by Andrey Zvyagintsev
Russian filmmaker Andrey Zvyagintsev’s fifth movie, after the colossal 2014’s "Leviathan", is a...
Interview with Tashi Gyeltshen: Violence is connected with power
Tashi Gyeltshen is a self-taught filmmaker from Bhutan. One of his shorts, "The...
Film Review: When the Moon was Full (2019) by Narges Abyar
The Audience Award of PÖFF | Tallinn Black Nights Film Festival went to the...
Film Review: Hiroshima Death Match (1973) by Kinji Fukasaku
"Yakuza Papers" pentalogy has reached the status of cult since many years, particularly...