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Film Review: The Legend of the Stardust Brothers (1985) by Macoto Tezuka
At 22 years old, Macoto Tezuka, the son of legendary manga artist and anime director...
Film Review: Seoul Station (2016) by Yeon Sang-ho
“If I had had a home, I would have never ended up in Seoul station.”
Over the...
Film Review: High Flash (2018) by Ching Sheng Chuang
Taiwanese cinema has been on the rise during the latest years, with a number of...
Interview With Kenneth Bi: Being comfortable with one’s own heritage really is another way of becoming comfortable with who one is (12/11)
Kenneth Bi’s directorial debut, Rice Rhapsody (2004), won Outstanding Screenplay from Taiwan’s GIO and screened...
“Along With The Gods: The Last 49 Days” Debuts on Digital, Blu-ray™ Combo Pack & DVD December 11
Following the blockbuster success of "Along With The Gods: The Two Worlds", writer/directed Kim Yong-hwa...
Interview with Yasu and Bea Tanaka: Mr. Hassan used a perfect word to describe the work I attempted; Landscape vs Mindscape.
Yasu hails from Tokyo, Japan and had resided in Los Angeles for more than 20...
Film Review: Possible Faces (2017) by Lee Kang-hyun
Capsized in an ocean of faces, strangers resist the pull of the depths and muster...
Film Review: Die Tomorrow (2017) by Nawapol Thamrongrattanarit
Thamrongrattanarit's previous work, "Heart Attack" is one of my favorite films of the latest years,...
Film Review: Dead Pigs (2018) by Cathy Yan
Wild land development and the fast changing of social and physical landscape of China has...
Film Review: Sunset in my Hometown (2018) by Lee Joon-ik
All things Korean seem to be very much in vogue right now, particularly music. Lee...