Korean Reviews Reviews

Sin Dong-yeop’s “Duel:Final Round” presents a contemporary, Korean version of “Drunken Master”

Poong-ho is an amateur fighter who has inserted himself in a concept called Reality Fight, where people pay to fight accomplished fighters. However, his older brother, Kang-ho, an excellent fighter, and a cop with a reputation of being fearless and invisible, eventually discover his ploy. In order to shape him up, he forces him to do some community service, helping the elderly. Poong-ho ends up with a drunkard named Mr Hwang, who, eventually, is revealed to be the Drunken Master of Kung Fu.

At the same time, Kang-ho is investigating another aspect of Reality Fight, which is actually deadly, as a fearsome fighter is killing his opponents, with dead bodies turning up one after the other. One day, Kang-ho receives a call from this fighter for a duel, and decides to act alone. However, even he proves no match for Jae-hee, an executive with unparalleled technique and power, and ends up in a coma. Poong-ho decides to train with Mr Hwang, in order to exact revenge.

As in the original film, Sin Dong-yeop directs a movie that focuses on martial arts, humor, and in general, entertainment. An underlying message about the way the rich treat the poor does exist, but is minor and does not play a significant part in the film. However, the picture definitely achieves its goal, as the various fighting scenes are impressive, the comic ones are hilarious, and “” is very entertaining. The fact that the script follows “Drunken Master” to a large degree, including the nut breaking during the training sequence and even the presentation of the bloopers after the film’s ending, is definitely a nice touch, which moves on the borders of parody.

Regarding the martial arts element, two fights stand out. The one in the rain between Kang-ho and Jae-hee, which features some impressive slow-motion sequences and the final one, that uses the flickering lights of a club to give a music video essence to an otherwise “goofy” sequence. In that fashion, the cinematography, editing, special effects, and action choreography are on a very high level, particularly during the aforementioned scenes.

None of the protagonists is on a level of a Donnie Yen or a Wu Jing, but they make up for it with brio, in the case of (Poong-ho) cockiness and style, in the case of (Jae-hee) and… alcoholism, in the case of (Mr Hwang). As is usually the case in martial arts films, the acting is there to put a background to the action scenes, and “Duel:Final Round” is not the exception. However, Lee Joo-seung definitely succeeds on the comic aspect of the film.

“Duel:Final Round” succeeds in every aspect a martial arts film should, and thus presents a very entertaining outcome.

The film is distributed by M-Line Distribution

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

Subscribe to Our Newsletter

>