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Artists’ Choice #1: Toshiaki Toyoda (director) lists his 5 favorite Japanese Movies

After asking a number of artists that appear in our reviews and interviews to list their favorite movies of their country, we inaugurate a new column in Asian Movie Pulse, where we are going to present their selections.

The first “guest” of the column is no other than Toshiaki Toyoda, director of “Pornostar“,  “Blue Spring”, “Hanging Garden” and “9 Souls” among others.

Here are his top ten Japanese films, in random order.

1. The Man Who Stole the Sun (Kazuhiko Hasegawa, 1979)

A high school science teacher builds an atomic bomb and uses it to extort the nation, but cannot decide what he wants. Meanwhile, a determined cop is catching up to him, as is radiation poisoning.

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2. Knock Out (Junji Sakamoto, 1989)

A Japanese boxer stages a dramatic and dangerous comeback after suffering brain damage in the ring

Woman in the Dunes (Hiroshi Teshigahara, 1964)

An entomologist on vacation is trapped by local villagers into living with a woman whose life task is shoveling sand for them

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4. The Yakuza Papers (Kinji Fukasaku, 1973)

During the violent chaos of post-War Japanese black market, a young gangster called Shozo Hirono has to keep up with the rapid shifts of power between unscrupulous bosses.

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5. Ran (Akira Kurosawa, 1985)

Ran (1985) by Akira Kurosawa

In Medieval , an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other…and him.

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About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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