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Film Review: Steel Rain (2017) by Yang Woo-suk

Based on Yang Woo-suk's 2011 homonymous webtoon, “” attempts to deal with the scenario of a North Korean coup d'état, through a Hollywood blockbuster approach, for the most part.

Eom Cheol-woo, a North Korean agent, is tasked with an assassination mission, only to become witness to a terrorist attack which is actually a coup d'état, involving an US army helicopter. After the disaster that follows, Eom ends up in the South, along with his injured No. 1. Through a number of adventures including a young obstetrician and a plastic surgeon, Eom ends up with Kwak Cheol-woo, senior presidential secretary for foreign affairs and national security for the S. Korean government, who also happens to be the ex-husband of the aforementioned plastic surgeon. The two of them try to prevent the breakout of a nuclear war on the Korean Peninsula.

The basic idea of the film, of the cooperation of North and South individuals to face a greater evil, although much visited in the Korean industry, is quite good, particularly regarding the political aspect and the way the idea of a coup d'état in the North is presented. However, as the Hollywood blockbuster aesthetics take over, one cannot but notice how far-fetched the story goes, particularly regarding the various coincidences that occur, and the depiction of the North, which borders on South jingoism, through a number of quite pointy comparisons. Lastly, some elements of melodrama could not be missing from here either, as is the case with almost all Korean films that aim at commercial success.

On the other hand, the movie benefits the most from the many and quite impressive action scenes that highlight the budget of the production, along with Lee Gang-hee's excellent editing, and Lee Hyung-deok's cinematography. The SFX are top notch, particularly in the scenes that involve nuclear weapons, while the action choreography is one of the film's best assets, in similar fashion with the “Bourne” movies.

Another very interesting aspect of the film is Kwak Chul-woo's character, who highlights a man who is anything but a hero, as he is constantly drowned in paperwork, scorned by his wife and occasionally his children, and with a rather strange sense of humor, which comes up at the most inappropriate moments. The fact, however, that he is not a mastermind or a great fighter, gives the film a lighter and somewhat humorous sense that definitely benefits its overall aesthetics. is great in the part, in a role somewhat similar with the one he had on “The Wailing.” On the other hand, is the archetype of the Bourne hero, a man who tries to succeed against all odds, mostly with his fighting skills

Overall, “Steel Rain” is an enjoyable production that will definitely appeal to fans of Hollywood action blockbusters. However, most of the movie's elements points towards the flick, in a production that will be forgotten as easily as it is watched.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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