Japanese Reviews Reviews San Diego Asian Film Festival (SDAFF)

Documentary Review: Fermented (2017) by Jonathan Cianfrani

Documentaries about the culinary have been one of the most favorite film categories since… forever one could say, with a number of entries that provide entertainment and raise appetites at the same time (“Jiro: Dreams of Sushi” comes to mind). ‘s documentary definitely does both, as Chef Edward Lee explains the process of fermentation and the plethora of fields it is used, in a trip that stretches from California to Japan.

Fermented” screened at San Diego Asian Film Festival

Starting with the chemistry and moving to its applications, Lee presents a number of impressive procedures that include vegetables, cheese, bear, bread, salami, kimchi, kombucha, before he moves to Japan where he takes a look at soy sauce and miso. At the same time, he presents the people who have dedicated themselves in traditional methods of creating these types of food and beverages, additionally highlighting their pride in what they are doing and what they accomplish.

Furthermore, he also deals with the cultural aspect of the procedure. “Fermentation is culture,” says Lee in the documentary, and this phrase finds its apogee in Japan, where we witness recipes that have been continuing and improving for generations, in a number of procedures that prove that the difficult way is usually better than the fast and easy one. Cianfrani seems to pose a question about the retaining of these traditional methods in the modern world of refrigeration and canning, but as the documentary moves from product to product, the answer he provides becomes quite clear

Fermented still

Add to that a number of recipes using the aforementioned products, which are presented on screen, the in-depth explaining of the procedures by the experts, and Lee’s participation in the procedures and you have the backbone of a very interesting documentary.

In terms of production values, “” is impressive, as the imaging of the processes is thorough and entertaining at the same time, while the use of slow motion allows the audience to focus on key facts and images. The editing is also great, with Cianfrani lingering just as much in every interview-presentation, retaining a relatively fast pace that benefits the documentary the most.

“Fermented” manages to present some very interesting procedures and individuals, provide some crucial questions, and at the same time to raise the appetite of anyone who watches the documentary. I do not know what more one could ask from a film about the culinary.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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