Based on the novella of the same name by Locus Award and Hugo Award-winning author Liu Cixin, “The Wandering Earth” became China’s second highest-grossing film of all time, 2019’s third highest-grossing film worldwide, the second highest-grossing non-English film of all time, and one of the top 20 highest-grossing science fiction films of all time.                     

In the future, the Sun has aged and is about to turn into a red giant, pushing the nations of the world to consolidate into the United Earth Government, a world government, to initiate a project to move the Earth out of the Solar System to the Alpha Centauri system, in order to preserve further human civilization. Enormous thrusters running on fusion power are built across the planet to propel the Earth. Human population is reduced severely due to catastrophic tides that occur after the planetary engines stop Earth’s rotation, and later as the planet moves away from the Sun, much of the surface is frozen due to lowered temperatures, forcing humans to live in vast underground cities built adjacent to the engines.           

In this setting, we meet the protagonists of the film. Liu Peiqiang, a Chinese astronaut, is about to return to Earth to meet his son, Liu Qi, and his adopted sister, Han Duoduo. The two of them, however, have other plans, and soon escape to the surface, but soon end up in prison, where they meet another prisoner named Tim, and are about to be saved by their grandfather, Han Zi’ang. At that moment, as Earth passes by Jupiter to make use of gravity assist, the planet’s gravitational spike causes devastating earthquakes that disable many thrusters across the globe and pull the Earth dangerously close. The four escape amidst the chaos and attempt to make their way out in Han Zi’ang’s truck, but the truck is requisitioned for a rescue mission by a military rescue team; they are to transport a lighter core, an engine component, to restart the planetary thruster engine in Hangzhou, supervised by soldiers led by Wang Lei. Expectantly, nothing goes as planned and the crew ends up being Earth’s last resort before total destruction.

Shooting a destruction movie that takes place in an Earth that is roaming around space was a great idea, and Frant Gwo managed to make the most out of it, allocating the majority of the $50 million of his budget to the visuals of the film, with great results. In that fashion, the combination of SFX and Michael Liu’s cinematography is sublime, and along with the overall design of the vehicles, the backgrounds and the various settings results in a genuine eye candy.

However, “Wandering Earth” is not just about visuals. The combination of Frant Gwo’s excellent direction and Cheung Ka-fai’s frantic editing result in a true extravaganza, as the relentless pace and the continuous action carry the movie for the whole of its 125 minutes, without allowing its audience to relax even for a minute.

Of course, the “issues” of the blockbuster are also here, with the lack of logic (not to mention complete disregard for the laws of physics), the “thin” characters, the clichés, and the overall lack of depth (the father-son relationship issues do not save the movie in that aspect), but the action is so elaborate, that in the end, those issues do not matter.

Not much more analysis for this one, if you enjoy sci-fi blockbusters look no further, one of the best of the latest years is here.

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia. Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute. In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres. You can follow me on Facebook and Twitter.