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Yuen Woo-ping to receive Lifetime Achievement Award at the New York Asian Film Festival

The Star Asia at the 2019 goes to Hong Kong’s martial arts fight choreographer and director extraordinaire , perhaps best known to mainstream audiences for his work on “The Matrix”, “Crouching Tiger Hidden Dragon” and “Kill Bill”.

The extremely prolific Yuen started as an actor and stuntman in the 60s. In 1978, he made his phenomenal directorial debut with “Snake in the Eagle’s Shadow”, followed quickly with “Drunken Master”, the two films that not only made Jackie Chan an international star but practically created the indelible kung fu comedy genre. His filmography is a litany of kung fu movie classics marked by breathtaking innovations in fight choreography and genre stylings. 

Screening in the festival are the seminal Donnie Yen vehicle “Iron Monkey”, a now classic of the 90’s new wave of kung fu movies, on 35mm, the brand new “Master Z : Ip Man Legacy”, an exciting entry in the Ip Man series of films, starring Max Zhang, Michelle Yeoh and Tony Jaa, and “The Miracle Fighters” Yuen’s first of several absolutely crazy meldings of kung fu, fantasy and comedy that must be seen to be believed.

A still from “Iron Monkey:

The Yuen Woo-Ping tribute at the 18th New York Asian Film Festival is presented in association with Film at Lincoln Center, with the support of the Hong Kong Economic and Trade Office in New York (HKETONY)

The screening of “Master Z : Ip Man Legacy” courtesy of Well Go USA Entertainment

About the author

Rhythm Zaveri

Hello, my name is Rhythm Zaveri. For as long as I can remember, I've been watching movies, but my introduction to Asian cinema was old rental VHS copies of Bruce Lee films and some Shaw Bros. martial arts extravaganzas. But my interest in the cinema of the region really deepened when I was at university and got access to a massive range of VHS and DVDs of classic Japanese and Chinese titles in the library, and there has been no turning back since.

An avid collector of physical media, I would say Korean cinema really is my first choice, but I'll watch anything that is south-east Asian. I started contributing to Asian Movie Pulse in 2018 to share my love for Asian cinema in the form of my writings.

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