Asian cinema has been long mostly watched by true connoisseurs in the west – people who are never too shy to appreciate a good movie and take it on their own merits. And so, Asian cinema has been gaining a lot of traction. There have been quite a few hits throughout the years, including Ip Man, and most recently Parasite. But just like roulette, some movies have made it and others have flopped. Roulette77.us teaches us that understanding a game of roulette is not in fact that convoluted. Nevertheless, Asian movie makers have decided not to rely on luck for the success of their future productions.
As a result, you will get a whole lot of great productions today. In fact, 2019 was definitely one of the strongest years for Asian cinema and 2020 – with its own set of challenges – promises to be no less exciting. Be that as it may, good cinema is always a trying effort and one that takes a lot of skill.
Asian Had a Strong 2019 in Movies, is 2020 Going to be As Good?
It’s hard to tell where Asian cinema is heading next. Parasite was clearly one of the biggest surprises at all. The South Korean family drama made it all the way to the Oscars even though it was terribly underfunded.
If there is one thing that must have made early investors happy, though – that is the return they got out of the movie that broke most box office records. And so, it just goes to show that great cinema (just like great photography) takes a lot of skill and original ideas – rather than over-investing.
And just what a year 2019 was when it comes to movies. We saw We Are Little Zombies and No Longer Human – both produced in Japan and great movies, too. South Korea gave us Parasite, evidently, and Eerie was produced in the Philippines.
While these movies still need a bit of momentum for better reception in the west, the quality of Asian movie-making shines through and through. To answer whether 2020 will be as good, let’s have a closer look.
The 2020 – Year of the Asian Movies
If you aren’t yet excited about the movies that 2020 will bring you, let us jog your memory a little bit and show you why they are very much worth the hype. Director Hideaki Anno from Japan is planning on Evangelion 3.0 + 1.0.
We will also see another movie by Yeon Sang-ho from South Korea and specifically Train to Busan. Asian have their way with cinema, too. Their dramas have been so pleasant and remarkably well-received around the globe.
TV series such as Crash Landing on You, Tempted, Well-Intended Love, Something in the Air and quite a few others definitely make it to the top of cinephiles all-time favorite lists. And it is especially true that – one way or another – Asian cinema is truly not about nationalities.
It’s about the entire region and movies are watched massively in China, Japan, the Philippines, South Korea, and even in North Korea, although mostly secretly.
Keeping World Standards in Cinematography
Yes, Asian cinema is on a truly global level. While most people have gotten used to watch their movies in English, perhaps, or in the very least dubbed, Asian cinema brings a mix of outstanding plots, great movie-shooting practices and more.
There is nothing to even remotely suggest that Asian movies don’t live up to the hype. And if one thing is also true – that is the fact that in Asia, movies are taken far more seriously. Even the soppiest flick is actually worth a watch!
