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Short Film Review: Shop-Putters (2019) by Hisanori Tsukuda

The appearance of two kids at a convenience store sparks a covert operation, headed by a team that is dedicated to stopping the children and others like them. What sparks this interest from the staff is not made clear, as two employees on mic report every move the duo make back to their manager.

Shop-Putters is Screening at JFFH 2020 Online-Festival

” opens indicating the short's involvement in the “Tetsudon” films, an anthology series that hosts dozens of films geared towards absurd scenarios. Consequently, the production fits the bill by indulging in the fast paced absurdist humor that ties together the work within that series. Where this deviates a bit from the formula, which normally indulges in mature or upsetting subject matter, is the more wholesome approach in narrative. Not to spoil the film, but the conclusion to what the children are hoping to accomplish is bound to fill the audience with a warm optimism.

Building off of a playful concept, the delivery from the actors further reflects the light-hearted approach. Consequently, the way the adults interact with each other and the kids becomes reflective of a children's TV program, with an emphasis on adults acting absurd to the normal attitude of youthful curiosity. This approach makes the project one which can be enjoyed by the entire family, as the humor is bound to connect with multi generations.

“Shop-putters” is an amusing concept brought to life under the sharp and playful direction of . Additionally, the production can be enjoyed by the entire family by exploring absurdity through the subject of childhood playfulness and creativity. An ideal short and a nice reprise from the more graphic content of both and JFFH makes this an ideal inclusion in the festival.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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